Happy reading!! Christmas break

The blog is closing for Christmas.  It will re-open on Friday January 25, when we will launch our poll to find the book of the lunar year in the (almost) past Year of the Dog. HAPPY READING ONE AND ALL!!!!

There’s no Poetry in a Typhoon by Agnès Bun

Agnès Bun is a video journalist for Agence France-Presse, a literary critic for the Asian Review of Books and a published poet. Before the age of 30, she had: reported on the aftermath of the 2013 typhoon which devastated particularly the Philippines; come under fire in Eastern Ukraine; covered fatal earthquakes in Nepal and floods in Sri Lanka; filmed the Rohingya refugees in Bangladesh.

Her memoir, There’s no Poetry in a Typhoon: vignettes from journalism's front lines, translated from the original French by Melanie Ho, enables Agnès to reflect on the moments of guilt and grace she experienced as a reporter, and on the haunted, hopeful faces she came across during her extraordinary assignments.

It also enables her to confront her own identity.  Agnès is a French citizen born of Chinese parents who escaped the Cambodian genocide in the 1970s. She here describes how writing There’s no Poetry in a Typhoon provided an opportunity for her to reconnect with her multiple roots.

A Carnival of Translation – Translators and their writers

For this blog, Nicky Harman interviews Natascha Bruce, who has been on a residency with Dorothy Tse, the noted Hong Kong author of surreal stories. The annual residency, called Art OmiTranslation Lab, offers the chance for author and translator pairs tofocus in detail on a text, while also emphasizing translation as a means towards cultural exchange.

NH: What were your expectations for the residency? 

NB: Things we knew to expect: twelve days to use however we liked, spent with three other translator-writer pairs. My Google image searches also suggested that the Hudson Valley might be pretty in late autumn. And all this turned out to be true! The other translators and writers were Elisabeth Lauffer translating Anna Weidenholzer from German; Hope Campbell Gustafson translating Ubah Cristina Ali Farah from Italian; Samuel Rutter translating Cristina Sanchez-Andrade from Spanish. Reality even exceeded my Google image search expectations: for a few days, deer frolicked outside our Hudson Valley windows, then winter arrived and turned everything to very beautiful snow.

NH: Did you and Dorothy cook up a plan in advance?

The nitty-gritty in turning a manuscript into a book by Eldes Tran

Eldes Tran is an associate editor at Epigram, an independent publisher in Singapore. She has worked with non-fiction and literary fiction authors, and has helped developed children’s books, from picture books to middle grade. She here explains how a manuscript becomes a book.

Indie spotlight: Shanghai Dreams

Indie spotlight focusses on self-published authors and self-publishing. Alexa Kang is a Boston-based, Chinese-American author who publishes her Shanghai Story trilogy, World War 2 historical fiction, through her own house, Lakewood Press. You can read about book 1,  Shanghai Story, here.

Shanghai Dreams is the second book in the trilogy. It tells the story of Clark Yuan, the Western-educated son of a prominent Chinese family in Shanghai who became a KMT operative, and Eden Levine, a Jewish refugee from Munich who came to Shanghai with her family to seek safety and a new life away from the Hitler regime. One of the characters, John Rabe, is based on a man who existed in real life. Rabe was a Nazi who nevertheless saved many lives.

Alexa here discusses the complexities of depicting a Nazi character in a sympathetic light.

Indie Spotlight: Crystal Watanabe

Indie spotlight focuses on self-publishing and indie authors. When Christie Dao, a Vietnamese-American now based in Singapore, self-published her inspirational book, Actualize Your Dreams, she felt it was important to work with an Asian-American editor. She chose Crystal Watanabe. Here, Christie interviews Crystal.

Indie spotlight: Remembering Shanghai by Claire Chao

Indie spotlight focuses on self-publishing and indie authors.

Hawaii-based, Hong-Kong-born Claire Chao is the co-author, with her mother Isabel Sun Chao, of Remembering Shanghai: A Memoir of Socialites, Scholars and Scoundrels, published by the indie publisher, Plum Brook.

Remembering Shanghai follows five generations of the Chao family over two centuries, from the time of Claire's great-great-grandfather down to the present. Mother and daughter traced their family story as far back as they could. Claire's great-great-grandfather rose from poverty to become a minister to the empress dowager, and built a large portfolio comprising hundreds of properties, a bank and a shipping company.

Isabel Sun Chao, the memoir's main protagonist, grew up the third daughter among six siblings in glamorous 1930s and ’40s Shanghai - everyone’s favorite child, cosseted by servants, wet nurses, cooks, drivers, even a resident tailor.

Soon after Mao came to power in 1949, Isabel journeyed to Hong Kong. Clutching a pink suitcase packed with party dresses to wear on her spring holiday, she didn’t realize that she would never see her father, or her grandmother, again. Claire accompanied her to Shanghai nearly 60 years later to confront her family’s past, one that they would together discover to be by turns harrowing and heartwarming.

Claire here discusses why she and her mother decided to write a family memoir, and gives advice to other indie authors.

Indie spotlight: Inspiration from Onnagatta and Onna bugeisha

Indie spotlight focuses on self-publishing and indie authors.

K. Bird Lincoln, an American, now lives in the Midwest, but she has previously lived in Japan.  She is the author of the medieval Japanese fantasy series, Tiger Lily, which explores the gender-bending lives of rebellious girls living during a period of Japanese history relatively little-known in the West.

Here, K. Bird Lincoln talks to Alexa Kang about Onnagatta and Onna bugeisha, gender-fluid Japanese who inspired her character, Tiger Lily.

Backlist books: The Home and the World by Rabindranath Tagore

Backlist books is a column by Lucy Day Werts that focuses on enduring, important works from or about Asia.

This post is about The Home and the World, a novel originally published as Ghare Baire in Bengali in 1916. Its author, Rabindranath Tagore, was born in Kolkata, British India. He was a wealthy, well-travelled Bengali writer best known for the poetry collection Gitanjali. In 1913 he was awarded the Nobel Prize in Literature.

An internationally known literary and artistic man from a wealthy, socially active family owning extensive lands in what is now Bangladesh, Tagore was anti-imperialist yet ultimately rejected the nationalist Swadeshi movement, which promoted production and exclusive consumption of local goods. The Home and the World reflects the author’s mixed feelings on the subject.

See below to find out what you need to know to decide whether you should read The Home and the World, or what you should know about it even if you never do!

Obituary for Louis Cha, by John Minford

Louis Cha, or Zha Liangyong, (查良鏞), pen-name Jin Yong (金庸), OBE, Chevalier de la Légion d’Honneur, novelist, journalist, entrepreneur and public figure, was born 10th March 1924, Haining County, Zhejiang Province, China, and died 30th October 2018, Hong Kong.

Between 1997 and 2002, John Minford, now Emeritus Professor of Chinese at the Australian National University, brought out a three-volume translation of Cha's The Deer and the Cauldron, with Oxford University Press Hong Kong (OUP HK). Now OUP UK has published it in the UK.  John here provides an obituary for Louis Cha.

BALESTIER PRESS, THE ART OF IDEAS — IN TRANSLATION

You think being a small indie publisher is challenging? Then trying being a small indie publisher who focuses on translations from Chinese! Today, Nicky Harman interviews Roh-Suan Tung, of Balestier Press, about what propelled him into publishing, his favourite books and his hopes for the future.

Founded in 2013, Balestier Press is an independent publisher of Asian literature and books related to Asia, including novels, essays and picture books, for children, young adults and adults. Balestier aims to provide a diverse platform for the different voices in Asia by publishing the best and most innovative Asian literature. Director Roh-Suan Tung says: “We hope to promote a greater cultural understanding and awareness of Asia, to tell the story of an evolving Asia through its people, culture, literature and artistic expressions."

NH Can you tell me how and why you got into publishing? I understand you came from a science background.

RT 

I started by publishing newsletters on media freedom in Taiwan in the 80s. I then became a theoretical physicist and served as editor for international journals and academic publishing for a few years. I enjoyed exploring the frontiers of physics and our understanding of the cosmos, and I appreciate the value of science, but I’ve always felt the need for more English-language publications in literary arts and humanities. Partly because I’ve lived in quite a few major cities in the east and the west.

Circumstance / A Yellow House

If you're in Singapore do come along to the Asia launch of Circumstance by Rosie Milne, editor of Asian Books Blog, at the Singapore Writers Festival.

Circumstance is launching alongside A Yellow House  by Karien Van Ditzhuijzen.

Details: Sunday 11 Nov, 3.30 pm, the Arts House. See you here, I hope!!

A Death in Peking. Guest post from Graeme Sheppard

The brutal murder of 19-year-old Pamela Werner in Peking one night in January 1937 shocked the world, and the police never named the murderer. The best-selling book Midnight in Peking, by Paul French, declared the perpetrator to be an American dentist, but Graeme Sheppard, a retired British policeman with 30 years’ service in the UK, with the  Metropolitan Police, decided that conclusion was flawed. After spending years investigating the case, he came up with an entirely different conclusion. So who did it? Who killed Pamela?

Over to Graeme...

Elaine Chiew Talks to Ng Yi-Sheng, author of Lion City

Photo Courtesy: Epigram Books

 Ng Yi-Sheng is a Singaporean poet, fictionist, playwright, journalist and LGBT+ activist. He has just published Lion City, his first collection of short stories, inspired by speculative fiction, Singaporean history and myth. He’s currently working on a novel as part of a Creative Writing PhD at Nanyang Technological University (NTU), and a performance lecture for the Singapore Fringe Festival, titled Ayer Hitam: A Black History of Singapore.

His books include the poetry collections last boy (winner of the Singapore Literature Prize 2008), Loud Poems for a Very Obliging Audience, and A Book of Hims; the movie novelisation Eating Air and the non-fiction work SQ21: Singapore Queers in the 21^st Century. Additionally, he translated Wong Yoon Wah’s Chinese poetry collection The New Village and he has co-edited publications such as GASPP: A Gay Anthology of Singapore Poetry and Prose, Eastern Heathens: An Anthology of Subverted Asian Folklore and SingPoWriMo 2018.

He has also been active in the professional theatre since the age of 17, collaborating with companies such as TheatreWorks, W!ld Rice, Toy Factory and Musical Theatre Ltd to create plays like Hungry, 251, Georgette, The Last Temptation of Stamford Raffles and Reservoir. He is a founding member of the spoken word troupe the Party Action People and co-organised the annual queer literary reading ContraDiction for twelve years.

Photo Courtesy: Epigram Books

EC:      Welcome to AsianBooksBlog, Yi-Sheng. A real honour to have you.

First, congratulations on the publication of Lion City (Epigram Books), which will be launched at the Singapore Writers’Festival 2018. It’s a fantastic read, full of mordant humour, allegorical fabulism, political heft, and a willingness to say the unsayable.

NYS:    Thanks so much! I’m so pleased you liked it.

EC:      Praise for the book, notably Sharlene Teo, likens your stories and voice to Etgar Keret. Also Neil Gaiman. Are they influences?   

NYS:   Neil Gaiman’s been a massive influence on me: as a teenager in the 90s I read the Sandman and Books of Magic comics while they were coming out, and had my mind utterly blown by the idea of this globally (and cosmically) unified mythology and by the idea that magic’s just lurking at the edges of the contemporary urban world. Neverwhere, Marvel 1602, Smoke and Mirrors and The Graveyard Book have been great favourites too.

I’m afraid I’ve never read Etgar Keret, but I must: Lavie Tidhar also said I sounded like him.

500 words from Jo Furniss

500 words from is an occasional series in which novelists talk about their new novels. Jo Furniss has recently brought out The Trailing Spouse.

After spending a decade as a broadcast journalist for the BBC, Jo became a freelance writer and serial expatriate. Originally from the United Kingdom, she spent seven years in Singapore and also lived in Switzerland and Cameroon. Jo’s debut novel, All the Little Children, was an Amazon Charts bestseller.

The Trailing Spouse is a novel of marriage, betrayal, and murder set in Singapore. Amanda Bonham moved halfway around the world to be with the man she loves. Although expat life in Singapore can be difficult, Edward Bonham is a dream husband and a doting father to his teenage daughter, Josie. But when their maid dies in an apparent suicide, Amanda can’t help but wonder if her perfect husband has a fatal flaw. And if he can’t resist temptation under their own roof, what does he get up to when he travels? Camille Kemble also has questions for Edward. Recently returned to Singapore, Camille is determined to resolve a family mystery. Amid a jumble of faded childhood memories, she keeps seeing Edward’s handsome face. And she wants to know why. For one woman, the search for answers threatens everything she has. For another, it’s the key to all she lost. Both are determined to find the truth.

So, over to Jo...

Backlist books: The Annotated Malay Archipelago by Alfred Russel Wallace (edited by John van Wyhe)

Backlist books is a column by Lucy Day Werts that focuses on enduring, important works from or about Asia.

This post is about The Annotated Malay Archipelago, a version of the book that 19th-century naturalist Alfred Russel Wallace wrote based on journals from his eight-year journey among the islands of Southeast Asia several years after his return to England. It was originally published in two volumes in 1869, and has never been out of print.

Wallace, a contemporary and correspondent of Charles Darwin, helped develop, or at least accepted early on, Darwin’s theory of natural selection and plotted what is now known as the Wallace Line, which separates the two ecologically distinct zones of Asia and Australia.

Contemporary readers will probably wince at Wallace’s “kill and collect” approach to studying exotic birds and mammals and abhor his characteristically Victorian racist generalisations about the physical and moral characteristics of the Asian people he encountered. Nevertheless, his work is worth reading. Wallace was an intrepid adventurer intent on studying creatures in far-flung lands, and his fascination with the wonders of the natural world continues to inspire joy.

See below to find out what you need to know to decide whether you should read The Annotated Malay Archipelago, or what you should know about it even if you never do!

Indie Spotlight: Matthew Legare

Indie spotlight focusses on self-published authors and self-publishing. Here, Matthew Legare discusses his new novel Shadows of Tokyo, the first in a projected historical thriller-noir series set in pre-World War II Japan. The second book, Smoke Over Tokyo, is coming soon.

Matthew is an indie author publishing under the Black Mist Books imprint. He also reviews new fiction and interviews authors on his blog.

So, over to Matthew…

On translation, by Nicky Harman

Nicky Harman, Yan Ge, Natascha Bruce

Let’s talk literary translation, or how to keep audiences riveted by swearing at them

Last week, I was at Cheltenham Literary Festival, appearing on a panel with Yan Ge and Natascha Bruce. We had carte blanche to talk about Translating China, but decided to focus on Yan Ge’s new novel, The Chilli BeanPaste Clan (Chinese: 《我们家》) because (let’s be honest) it helps sales, and because the three of us all had plenty to say about the book.

The Chilli Bean Paste Clan is set in a fictional town in West China and is the story of the Duan-Xue family, owners of the town’s lucrative chilli bean paste factory, their formidable matriarch, and her badly-behaved, middle-aged son. As the old lady’s eightieth birthday approaches, her children get together to make preparations. Tensions that have simmered for many years come to the surface, family secrets are revealed and long-time sibling rivalries flare up with renewed vigour. 

The Deer and the Cauldron, guest post by John Minford

Between 1997 and 2002, John Minford, now Emeritus Professor of Chinese at the Australian National University, brought out a three-volume translation of the rollicking Chinese martial arts novel, called, in English, The Deer and the Cauldron, with Oxford University Press Hong Kong (OUP HK). Now OUP UK has published it in the UK.  As John explains: "I worked on the translation with David Hawkes, my father-in-law, and, on the last volume, with my late wife Rachel May, for about 10 years from the mid 1990s."

John here writes about the sprawling and beguiling example of Chinese popular culture he and his collaborators worked on for so long.

Oxford University Press Pakistan book fair

The annual month-long Oxford Book Fair, organized by Oxford University Press (OUP), is running until 7 November at Oxford bookshops in cities throughout Pakistan. The much-awaited yearly event always draws a large number of visitors.  The selection of books featured includes both locally published and imported children's books, English Language Teaching material, reference books, and school and higher education textbooks.

For the general reader, there are non-fiction titles on international affairs, politics, history, anthropology, women’s studies, art, and literature.

Biographies and memoirs of prominent Pakistani personalities are being showcased.

Oxford’s hallmark English and bi-lingual dictionaries and thesauruses are available at special, reduced prices.

A Yellow House: Elaine Chiew Talks to Karien van Ditzhuijzen

Credit: Lina Meissen Photography

After a childhood of moving around Asia, the Middle East and Europe, Karien van Ditzhuijzen moved to Singapore in 2012. Karien has a degree in chemical engineering, but gave up her career developing ice cream recipes to become a writer. She now dedicates her life (in no particular order) to advocating migrant workers’ rights, her family, her pet chicken and being entertained by monkeys while writing at the patio of her jungle house.

As a freelance writer and blogger Karien contributes to several publications in Singapore and the Netherlands. In 2012 she published a children’s book in Dutch recounting her childhood in Borneo. Karien van Ditzhuijzen’s debut novel A Yellow House was published by Monsoon Books in 2018. This poignant coming-of-age story, told in the voice of inquisitive ten-year-old Maya, explores the plight of migrant domestic workers in Singapore and the relationships they form with the families they work for.

Karien has been working with migrant domestic workers since 2012, when she joined HOME, a charity that supports migrant workers in Singapore. In the following years Karien worked closely with domestic worker writers, documenting their stories and sharing them on the blog www.myvoiceathome.org and as editor of the anthology 'Our Homes, Our Stories'.

The strong women Karien met through her charity work were the inspiration for A Yellow House.

500 words from Robert F. Delaney

500 words from is an occasional series in which novelists talk about their new novels. Robert F. Delaney has just brought out The Wounded Muse.

Robert has been covering China as a journalist for media outlets including Dow Jones Newswires and Bloomberg News since 1995, and was recently appointed U.S. Bureau Chief for the South China Morning Post. In his spare time, he turned to writing about the personal struggles of those caught in the middle of China’s ongoing transformation into an economic powerhouse. Many of the themes for The Wounded Muse were first developed in his earlier collection, Route 1 to China. Robert now splits his time between New York City and Toronto.

The Wounded Muse, a novel based on actual events, follows Qiang as he returns to his homeland, China, from Silicon Valley, during the lead up to the 2008 Olympic Games. In Beijing, he finds wrecking balls are knocking down entire neighborhoods to make way for fancy modern structures. Qiang begins shooting footage of the tumult for a documentary. When he’s arrested, it falls on his sister, Diane, and an American journalist, Jake, to figure out how to end his detention. With different ideas about how to approach a vast Chinese security apparatus, Diane and Jake don’t know how to trust each other. Meanwhile, Dawei, an itinerant Jake befriended years earlier, returns to Beijing to retrieve a memento that has suddenly become valuable. Dawei finds himself ensnared in a plan to force the authorities to release Qiang.

So, over to Robert…

Remembering Vietnam and Shanghai by Tess Johnston

Diplomat, author and historian Tess Johnston has published extensively about Asia, including 15 books about architecture in Shanghai.

An American, Tess has lived and served abroad with the US Foreign Service and the Consulate General, for more than half a century, including more than 40 years in Asia. Her first Asian posting was to Vietnam from 1967-74, at the height of the war; her second was to Shanghai, where she lived and worked for more than 3 decades.

In Saigon, Tess snared a job with one of the most famous,or infamous, of American wartime leaders, John Paul Vann.

In her latest book, A War Away: An American Woman in Vietnam, 1967-1974 Tess recounts stories of her Vietnam years, including her eye-witness account of the Tet Offensive, and what it was like to be one the few American women there during those harrowing years.

Tess has an abiding love for both Vietnam and Shanghai. Here she compares her memories of each place.

So, over to Tess…

Indie spotlight dual edition: (2) Understanding how to market on Amazon

Indie spotlight focusses on self-published authors and self-publishing. Here, in the second of today’s Indie spotlight dual edition, Ilan Nass, from Taktical Digital in New York City, gives general advice on how sellers can maximise sales through Amazon. Indie authors can adapt this advice to suit their own aim: selling books.

Indie spotlight dual edition: (1) Christie Dao on Actualize Your Dreams

Indie spotlight focusses on self-published authors and self-publishing. Here, in the first of today’s Indie spotlight dual edition, Christie Dao, a Vietnamese-American now based in Singapore, explains how she came to publish her inspirational book, Actualize Your Dreams, and why it was important for her to work with an Asian-American editor.

Christie Dao was born in Vietnam and moved to the United States as a 12-year-old. After graduating high school and gaining a full-tuition scholarship, Christie finished her bachelor’s degree one year ahead of schedule. After earning her master's degree, she relocated to Singapore as an employee of Intel Asia Pacific. She has lived and worked in Singapore for the last 18 years.

Actualize Your Dreams: from wishful thinking to reality is Christie’s self-portrait of growing up in an Asian household in the United States. It charts her determination to achieve and obtain her personal education and career goals from her teenage years until today. Learning English and the cultural norms Americans take for granted were just two of the stumbling blocks she encountered as a new immigrant to America. But she overcame the barriers, and her life came full-circle when her career brought her back to Asia, the continent she left as a 12-year-old.

So, over to Christie…

On translation by Nicky Harman

Spot the authors: Jia Pingwa, Mo Yan and Tie Ning are in the front row. Also in the picture are Alai, Yu Hua, Lu Min and many many others.

A MIXED BAG OF CHINESE AUTHORS AND TRANSLATORS, Guiyang, 2018
Nicky Harman reports on a meeting of minds.

The International Sinologists Conference on Translating Chinese Literature (汉学家文学翻译国际研讨会FISCTCL) brings authors from all over China and translators from all over the world, to a different venue in China every two years. This year, we were in Guiyang, China, for the fifth biennial conference. Despite the unwieldy title and even more unwieldy acronym, it is an extremely enjoyable event, one of a kind, giving translators a chance to meet and bend the ear of their authors (or people whom they would like to translate) and giving authors the chance to learn more about the process of translation and the promotion of their works overseas. FISCTCL is run by the China Writers Association (CWA), who have done a brilliant job over the last decade adapting the initially rather formal conference format, to the quirky demands of a bunch of maverick, enthusiastic and creative translators! The upshot is that for the last two FISCTCLs, we have spent most of the two days in discussion groups of about twenty. Depending on the mood and composition of the group, individuals can either give a presentation they have prepared in advance or have a free discussion.

Lion City lit: Inez Tan launches her debut short story collection

This Is Where I Won’t Be Alone: Stories launched in Singapore this weekend at Kinokuniya’s main store. Carissa Foo, who wrote If It Were Up to Mrs Dada (Epigram Books, 2018) led a discussion with the collection’s author, Inez Tan.

Inez spoke about the inspiration for the first two stories in the anthology, “Edison and Curie,” and “Oyster”. “Edison and Curie,” is about a pair of twins who differ greatly in their academic aptitude. The story is psychologically complex, exploring different aspects of identity, success, and coming of age. Inez explained that this story was born from a “collision” of different experiences and ideas. In particular, she spoke of Einstein’s famous twin paradox as an initial catalyst for the creation of “Edison and Curie”. The next story in the collection, “Oyster,” is grounded in a more personal experience. Inez began writing it after her mother gifted her some dried oysters to take back to the United States. Although “Oyster” was inspired by a real-world incident, the story itself brings us out of reality and into the imaginary realm of an oyster’s thoughts. The oyster arrives into a family fridge, and its unfamiliarity with our world gives us an interesting perspective on human relationships.

Review: Labyrinth of the Past by Zhang Yiwei

While I was in Shanghai, I stumbled across a series oftranslated Chinese fiction, headlined as Stories by Contemporary Writers from Shanghai and published jointly by Better Link Press (New York) and Shanghai Press and Publishing Development Company.  The editor of the series is Wang Jiren. His Foreword stated that the series comprises writers who are immigrants to Shanghai, but most were born in the city from a period encompassing the late 1940s to the 1980s, and includes well-known writers such as Wang Anyi, Xiao Bai and Sun Ganlu, but also features young emerging writers such as Zhang Yiwei, whose short story collection, Labyrinth of the Past (2015) is reviewed here.

From age 5 to 22, Zhang Yiwei grew up in Tianlin, a neighbourhood in Xuhui District, southwest Shanghai. The seven bittersweet nostalgic stories in this collection describe a childhood in Tianlin and the bordering town of Xiaozha that were undergoing rapid transformation and industrialisation in the '80s, from farmlands to organised apartment complexes for factory workers. This changing landscape evokes the lives of Chinese workers, tinged sometimes with desolation, anonymity, and a deep sense of loss. Zhang Yiwei’s collection is particularly noteworthy for its observation of details both past and current, and for its angle of approach – these are stories about young women of the ‘80s and ‘90s growing up raised by single mothers. The broken family connections echo the breaking up of landscape, all in the name of progress, but the stories seem to whisper: at what cost?

Student bookshelf: Review and analysis of A Pearl in the Forest

Aurelia Paul recently graduated from Boston University, where she was studying comparative literature and Chinese. In her column Student bookshelf, she shares responses to materials she has explored in her classes.

Today, Aurelia will be discussing a Mongolian film that came out in 2008, Enkhtaivan Agvaantseren’s A Pearl in the Forest.

The Buryat People and Historical Background

This work comments on the persecution of Buryat refugees in Mongolia in the 1930s. The Buryats are the dominant ethnic minority group that lives in Siberia. They speak their own language, also called Buryat. This language is similar to Mongolian and uses the Cyrillic script. Buryats, like Mongols, traditionally live nomadically in gers. However, because of close contact with Russia, some Buryat settlements have become agricultural. People living in these settlements often reside in Russian-style wooden houses, which can be seen in the film. 

In 1923 the Soviet administration created the Buryat-Mongol Autonomous Soviet Socialist Republic within the Union. However, Stalin was alarmed by the possibility of Soviet resistance from the Buryat community, and so ordered a campaign against them. Thousands of people died as a result of this ethnic violence, and numerous Buddhist sites of worship were destroyed.

Buddhist Pilgrim-Monks as Agents of Cultural and Artistic Transmission. Guest post by Dorothy Wong

Dorothy C. Wong is Professor of Art and Director of the East Asian Center at the University of Virginia. She has published Chinese Steles: Pre-Buddhist and Buddhist Use of a Symbolic Form (2004; Chinese edition 2011), Hōryūji Reconsidered (editor and contributing author, 2008), and China and Beyond in the Mediaeval Period: Cultural Crossings and Inter-regional Connections (co-editor with Gustav Heldt, and contributing author, 2014). Her most recent book is Buddhist Pilgrim-Monks as Agents of Cultural and Artistic Transmission: The International Buddhist Art Style in East Asia, ca. 645-770.

In the mid-seventh century, a class of Buddhist pilgrim-monks disseminated an art style in China, Japan, and Korea that was uniform in both iconography and formal properties. Traveling between the courts and religious centers of the region, these pilgrim-monks played a powerful role in this proto-cosmopolitanism, promulgating what came to be known as the International Buddhist Art Style.    

Buddhist Pilgrim-Monks as Agents of Cultural and Artistic Transmission: The International Buddhist Art Style in East Asia, ca. 645-770 investigates the formation and circulation of an East Asian International Buddhist Art Style by focusing on the role played by Buddhist missionaries and pilgrim-monks as agents of cultural and artistic transmissions.

So, over to Dorothy...

Back from the summer!

Asian Books Blog has now reopened after the summer break.  Here's to the next season of reading...

Summer break: happy reading!

Asian Books Blog is taking a summer break. We'll be back on Friday, September 14.  In the meantime: happy summer reading!

In Celebration of Books: The Singapore Literature Prize 2018

Nominee Books on Display

The Singapore Literature Prize, which carries a cash award of S$10,000 for each winner in each language category (Chinese, English, Tamil, Malay), held tonight at the NTUC Center, 1 Marina Boulevard, is in its 12th rendition (a biennial award), celebrating the best in Singapore poetry, fiction and creative nonfiction. Organised by the Singapore Book Council (formerly National Book Development Council), it's certainly had its share of controversy (no rehashing here, you can read about it on Wikipedia).  The evening kicks off with video footage of Suchen Christine Lim (who needs no introduction really) exhorting the winners not to let winning halt them in their tracks: the sort of a "okay, what now?" moment that freezes a writer after a big win. 

The Art of War becomes The Science of War. Guest post by Christopher MacDonald

Christopher MacDonald is Chinese-to-English translator and interpreter based in the UK. He spent a year in Xian, in 1985, and has since lived and worked in Taipei, Hong Kong and Shanghai, as a translator, interpreter, and trade and investment consultant. He has recently brought out The Science of War, which is supported by a new translation of the classic text, The Art of War.

The Art of War is an ancient Chinese military treatise attributed to the strategist Sun Tzu. It is composed of 13 chapters, each devoted to a distinct aspect of warfare and how that applies to military strategy and tactics. For more than two thousand years, strategists in China have followed its system of military teachings. This has now also influenced Western thinking, not only in the military sphere, but also in realms such as business and the law.

In The Science of War, Christopher MacDonald tells how military principles and teachings first crystallized into Sun Tzu’s treatise and how they guide China's leaders’ thinking to this day.

Here Christopher discusses why he chose to translate The Art of War, and why his own book is called The Science of War.

So, over to Christopher…

Student bookshelf: Exploring modern Mongolian poetry through a contemporary medium

Simon Wickham-Smith, author of
Modern Mongolian Literature in Seven Days

Aurelia Paul recently graduated from Boston University, where she was studying comparative literature and Chinese. In her column Student bookshelf, she shares responses to materials she has explored in her classes.

This week I read about literature from a digital source, a blog series on the Best American Poetry website. Simon Wickham-Smith created the blog series in 2009, with the aim of making modern Mongolian literary works more accessible for a global audience. One of the difficulties that students studying Mongolian literature in English often come across is that physical texts are hard to obtain and expensive to purchase because publishers use short run printing.  Digital genres such as blog posts and online articles, and PDFs of printed works can help counteract this problem. In addition to being published online, Modern Mongolian Literature in Seven Days is also free to read, and this promotes equal access to knowledge.

Backlist books: The Good Earth by Pearl S. Buck

Backlist books is a column by Lucy Day Werts that focuses on enduring, important works from or about Asia.

This post is about The Good Earth, the first volume in a trilogy that tells the story of a farmer named Wang Lung and his descendants in the early 1900s in China. In 1932 the novel won a Pulitzer Prize, and in 1938 the author won the Nobel Prize for Literature. In 2004, Oprah put the book back in the spotlight when she chose it for her book club.

The author was an American who spent considerable time in China both as a child and as an adult. Some insist that she was nevertheless a cultural outsider bound by stereotypes, while others feel her depiction of life in China was well informed and thus informative.

See below to find out what you need to know to decide whether you should read The Good Earth, or what you should know about it even if you never do!

Lion City lit: crafting happy endings and the contemporary Singapore novel

Asian Books Blog is based in Singapore. Our occasional column Lion City Lit explores in-depth what’s going on in the City-State, lit-wise.

Here Eldes Tran reports on a recent forum on the novel in contemporary Singapore. Whatever happened to happy endings? was organised by Epigram Books, Singapore’s largest independent publisher of local stories for all ages, and the sponsor of the country's biggest prize for fiction.

Eldes is an assistant editor at Epigram. She mostly edits nonfiction and children’s books, but also some adult fiction. Apart from editing, she also acts as a project manager seeing books through all stages of production.

Mediating Islam guest post by Janet Steele

Janet Steele is associate professor of media and public affairs, and international affairs, at George Washington University, USA. She is the author of Email dari Amerika (Email from America) and Wars Within: The Story of Tempo, an Independent Magazine in Soeharto's Indonesia. She has just brought out Mediating Islam: Cosmopolitan Journalisms in Muslim Southeast Asia.

Mediating Islam asks: what is Islamic journalism? It examines day-to-day journalism as practiced by Muslim professionals at five exemplary news organisations in Malaysia and Indonesia.  At Sabili, established as an underground publication, journalists are hired for their ability at dakwah, or Islamic propagation. At Tempo, a news magazine banned during the Soeharto regime, the journalists do not talk much about sharia law; although many are pious and see their work as a manifestation of worship, the Islam they practice is often viewed as progressive or even liberal. At Harakah reporters support an Islamic political party, while at Republika they practice a "journalism of the Prophet." Secular news organisations, too, such as Malaysiakini, employ Muslim journalists.

In her guest post for Asian Books Blog, Janet talks about the generosity of her sources in the world of Islamic journalism, in the years leading up to the recent Malaysian general election.

500 words from C.G. Menon

C. G. Menon is a British Asian writer born in Australia. Her debut collection of short stories, Subjunctive Moods, is published by Dahlia Publishing.

Subjunctive Moods deals with tiny moments of missed connection and of realisation: the heartbeats by which we all grow up. The stories span generations, continents and cultures and feature both Malaysian and Indian folklore.

So, over to C.G...

Subjunctive Moods contains stories set in Malaysia, Australia and Britain. One of my primary focuses in all these pieces is identity: what is it that makes us belong to a particular place, culture or family? The touchstones of identity are different when seen through an external perspective; the most important bonds often stem from memories and experiences which are overlooked by others.

I believe we all have pre-conceived notions about what other cultural groups are like – “these people like music”, “those people tell stories”, and it isn’t until we’re taken out of our own familiar places that we begin to realise how reductionist these beliefs are. Going beyond our own boundaries makes us re-examine what home feels like, and to find a way to carry it with us. I think this is what makes folklore so pervasive, and its stories so compelling. Myths and their re-tellings teach us about how to be part of a community and how to grow. You don’t need to be familiar with the external trappings of the myth – the talking fish, the demon-without-a-nose, the vampiric woman – to understand what it’s telling you.

Student bookshelf: Mongolian woman experiencing change

Aurelia Paul recently graduated from Boston University, where she was studying comparative literature and Chinese. In her fortnightly column Student bookshelf, she shares responses to texts she read in her classes.

Here she discusses Martha Avery’s book Women of Mongolia, an interesting combination of interviews, narration, and black and white photographs. 

Martha Avery has organised the book into a large number of sections, for example, ‘Buddhism and Tradition’ and ‘Professional Women’. In her preface, she explains that, “the women whose lives appear here could be viewed as ‘country women’ and ‘city women,’ except that many of them fall in between.” Often, in countries that have high rates of rural to urban migration people get grouped into firm categories depending on their location. To do this, however, is to ignore personal migration histories and transitional periods. It is one of the things I like the most about Avery’s book that she decides to oppose the harsh divisions of rural/ urban and instead focus more on other cultural factors.

Backlist books: Burmese Days by George Orwell

Backlist books is a column by Lucy Day Werts that focuses on enduring, important works from or about Asia.

This post is about Burmese Days, the story of an Englishman living in a remote town in Burma where the European Club’s members can almost be counted on one hand. The novel communicates an anti-colonial message by showing the colonists to be proud, ill-mannered, idle, drunk, driven by greed and ultimately self-destructive.

Burmese Days is not as well-known as the dystopian novel 1984 or the allegorical novella Animal Farm, but comes from the same sharp pen. The world depicted in the novel, Orwell’s first, is ugly and dark but occasionally reveals moments of great beauty.

See below to find out what you need to know to decide whether you should read Burmese Days, or what you should know about it even if you never do!

In Praise of the International Dublin Literary Award

I was honoured this year to be invited to be a judge for the International Dublin Literary Award (IDLA, formerly known as the IMPAC Prize), one of the most prestigious awards for fiction. As a translator, I was hugely excited to have the opportunity to expand my reading horizons and read some of the best contemporary fiction, so I said yes. In short order, box after box after box of books arrived for me, trundled down the rough track that leads to my house in Dorset by a surprised delivery driver.

IDLA is special for several reasons, not least because submissions can be made by any public libraries world-wide who wish to sign up for the scheme, so the prize is a great way of flagging up the hugely important role that such libraries have always played in the lives of readers, young and old. But what does the IDLA have to do with my usual blog topic, translation? Ah, well, that’s the magic of the IDLA. It’s the only major literary prize that treats translations into English on the same basis as works written originally in English.  Although the number of translations submitted was, unsurprisingly, less than ‘originals’, six splendid translations, out of a total of ten, made it onto the official shortlist.

Indie spotlight: An indie author’s guide to marketing, part II – selling

Indie spotlight focusses on self-published authors and self-publishing. Here, in the second of a two-part series on marketing, Alexa Kang, a Boston-based, Chinese-American author of World War Two historical fiction, published through her own house, Lakewood Press, gives advice on selling. This follows her post on branding, which appeared last Friday.

Alexa recently brought out Shanghai Story, which is set in 1936 Shanghai. It is the first book of a projected trilogy set to chronicle the events in China leading up to World War Two, as well as the experience of Jewish refugees in Shanghai.

So, over to Alexa…

Indie spotlight: An indie author’s guide to marketing, part I – branding

Indie spotlight focusses on self-published authors and self-publishing. Here, in the first of a two-part series on marketing, Alexa Kang, a Boston-based, Chinese-American author of World War Two historical fiction, published through her own house, Lakewood Press, gives advice on branding. She will follow-up with a post on selling, on Monday.

Alexa recently brought out Shanghai Story, which is set in 1936 Shanghai. It is the first book of a projected trilogy set to chronicle the events in China leading up to World War Two, as well as the experience of Jewish refugees in Shanghai.

So, over to Alexa…

First Encounter by James Rush

The Very Short Introductions series from Oxford University Press (OUP) contains hundreds of titles in almost every subject area. These pocket-sized books introduce a new subject quickly. OUP's expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

James Rush is Professor of History at Arizona State University, where he has taught since 1990. He has served as director of Arizona State University's Program for Southeast Asian Studies and as a consultant to The Asia Society, El Colegio de Mexico, and the Rockefeller Brothers Fund.  He is the author of several books, including Opium to Java: Revenue Farming and Chinese Enterprise in Colonial Indonesia, 1860-1910; The last Tree: Reclaiming the Environment in Tropical Asia; and Hamka’s Great Story: A Master Writer’s Vision of Islam for Modern Indonesia. He has just brought out Southeast Asia: A Very Short Introduction.

James says his new book: "strives to tell the complicated story of Southeast Asia’s multi-ethic, multi-religious societies and its eleven contemporary nations both simply and legibly. Its historic arc focusing on kingdoms, colonies, and nations and its analysis of the region’s deep social structures provide a clear narrative around which otherwise random details and anecdotal information (or the day’s news) can be understood in the context of larger patterns of history, politics, and society. In it, the modern Southeast Asian societies of Indonesia, the Philippines, Thailand, Vietnam, and Malaysia and the region’s other six countries come into sharp focus."

Here James provides a personal account of how his interest in Southeast Asia came about.

Romance and Intrigue on the Bund: Shanghai Grand by Taras Grescoe

Delve into the history of Shanghai in the interregnum between two World Wars and you will find an assortment of characters involving taipans, buccaneers, fortune-seekers, soldiers-of-fortune, intrepid newsmen, shady underworld triad bosses, spies, Communist insurgents, political emigres and colourful Western adventurers taking residence in Shanghai. These names will crop up again and again: industrialist and magnate Sir Victor Sassoon and his son E.D. Sassoon (who constructed the famous Cathay Hotel); triad bosses Du Yue Sheng, Curio Chang and Pockmarked Huang; Morris ‘Two-Gun’ Cohen (bodyguard to Dr. Sun Yat-Sen); Trebitsch Lincoln (the spy called ‘abbott of Shanghai’); revolutionary fighters like Chang Hsueh Liang, newsmen like John B. Powell, Victor Sheean and Edgar Snow; writers and intrepid China chroniclers like Emily Hahn and John Gunther; literati poets and writers like Lu Xun and Zau Sinmay, just to name a few.  All these moseying around the centre-stage action -- the seismic political and corrupt chicanery of Generalissimo Chiang Kai Shek and the Soong family in battling the early beginnings of Communism, Mao Tse-tung and the Japanese invasion.  

Read Indonesian literature! by Claudia Landini

Claudia Landini has just returned to her native Italy after spending 30 years as an expat, most recently in Jakarta.  She here gives a personal account of her encounters with Indonesian literature.

Sovereign Women in a Muslim Kingdom, by Sher Banu A.L. Khan

Sher Banu A.L. Khan is an assistant professor at the Malay Studies Department, National University of Singapore. She is the author of Sovereign Women in a Muslim Kingdom: The Sultanahs of Aceh, 1641−1699, which was published in May.

The Islamic kingdom of Aceh was ruled by queens for half of the 17th century. Was female rule an aberration? Unnatural? Indigenous texts and European sources offer different evaluations. Drawing on both sets of sources, Sher Banu shows that female rule was legitimised both by Islam and adat (indigenous customary laws), and provides insights on the Sultanahs' leadership, their relations with male elites, and their encounters with European envoys who visited their courts.

So, over to Sher Banu…