Singapore At Home: Life Across Lines — A Review by Elaine Chiew

Singapore At Home: Life Across Lines (Kitaab, 2021), edited by Pallavi Narayan and Iman Fahim Hameed (cover artwork by Pallavi Narayan), blends fiction and biographical accounts in an anthology that explores the idea of home from a variety of perspectives: from home-grown Singaporeans to more uniquely, the current diasporic Indian community in Singapore (arguably, a different metaphysical state from Indian migrant labour a century ago). An exemplar of current Indian diasporic consciousness in this anthology is Aparna Das Sadhukhan’s wonderfully touching story, ‘The Gardeners of Lim Tai See’, in which a new bride from India draws unexpected comfort from her elderly Chinese neighbour with the green thumb, more so than from her Singaporean-Indian husband.  

Any anthology set in Singapore does need to pay heed to issues of diversity in voices, and there is a healthy cross-section here in terms of geographic area (from shophouses in Geylang – Ken Lye’s ‘Her Father’s Business’ – to condo units in Tanjong Rhu – Payal Morankar’s ‘Aaji’s Vicissitudes’) as well as social lines in terms of race, age, class and culture (though not enough on sexual orientation). 

Call for Submissions: Top Asian Writing

UK-based digital first indie press Leopard Print London, which focusses on diverse fiction and non-fiction, is thinking ahead.

Are you interested in contributing to an anthology Leopard Print is producing, provisionally called Top Asian Writing 2022.

Leopard Print is looking for fiction or non-fiction set in Asia, preferably in Southeast Asia.

No theme, just Asian or Southeast Asian, general fiction or non-fiction, but not horror, paranormal, fantasy, sci-fi dystopian, and no COVID, pandemic, lockdown, or vaccine-related writing. 

5000 words max, but you can submit more than one entry.

Deadline 15 December 2021.

Top Asian Writing 2022 will be published in ebook and paperback, and if your piece is selected for inclusion you will get share of royalties with other contributors.

If interested, contact the editor, Ivy Ngeow: ivy_ngeow@yahoo.com

The Life-Art Synergy of Lily Wong in Hong Kong by Tori Eldridge

Tori Eldridge is the Honolulu-born Anthony, Lefty, and Macavity Awards-nominated author of the Lily Wong mystery thrillers: The Ninja Daughter, The Ninja’s Blade, and The Ninja Betrayed. Her shorter works appear in horror, dystopian, and other literary anthologies, including the inaugural reboot of Weird Tales magazine. Her screenplay The Gift was a Nicholl Fellowship semi-finalist, and her dark Brazilian fantasy, Dance Among the Flames, is set to release May 2022. Tori holds a fifth-degree black belt in To-Shin Do ninja martial arts and has performed as an actress, singer, dancer on Broadway, television, and film.

The Ninja Betrayed, the third book in the Lily Wong series, has just been published. Things get personal for Chinese-Norwegian modern-day ninja Lily Wong in Hong Kong when she dives into the dangerous world of triads, romance, and corporate disaster during the height of the pro-democracy protests. As Lily and Ma discover shaky finances, questionable loans, and plans for the future involving them both, Lily’s escalating romance with Daniel Kwok puts her heart at risk. Will her ninja skills allow her to protect her mother, the family business, and the renegade teen while navigating love, corporate intrigue, and murderous triads?

Here, Tori discusses the life-art synergy of Lily Wong in Hong Kong. 

More than one cook improves the broth. Nicky Harman gives a shout-out for literary team translation.

There are famous historical precedents for translators working as a team. This is especially true in religious texts. One of the greatest projects of all time, the translations of the Buddhist sutras from Sanskrit into Chinese, was carried by teams of translators working in a government department. The British Library not only has a collection of sutras in Chinese, their website also has an interesting article about the translators and the translations.

In more recent times, the Bible (notably the St James’ version) and bible commentaries have been translated by committees. So what are the challenges? I found this useful comment from one of the translators of Hermeneutics in Romans: Paul's Approach to Reading the Bible by Timo Laato. ‘Translating as a team is a difficult process. I find it to be a deeply personal endeavor and every translator I know attacks projects and translation problems differently. [On] taking over [my predecessors’] work…[t]he first thing I had to do was read the original and their translation in tandem, to see what their word and style choices had been for translation. A translation is going to suffer more than continuity if a second translator decides to use a slightly different word than the one originally used. Often a translator can choose from up to five or six words all with different shades of meaning to use for almost every word on a page.’

Quick notice. The Lettuce Diaries by Xavier Naville

About the Book: A snobbish French executive arrives in Shanghai with his expensive shoes and ties, expecting a short career-boosting posting before returning to Paris. Instead, he ends up deep in China’s manure-soaked fields, buying and selling vegetables, all because he has convinced himself that he can single-handedly drag Chinese agriculture into the 21st Century. It didn’t work out as he planned. The Lettuce Diaries is a revealing and humorous memoir of entrepreneurship, doubling as a primer for all seeking to do business in China, and explaining things the French executive, Xavier Naville, learned the hard way — like humility and listening to people.  

The Japanese Home Front 1937 - 1945 by Philipp Jowett & Adam Hook

As I’ve stated many times, there’s long been a blind spot about the Asian Theater of World War II. You can stack the books written about Nazi Germany and Imperial Japan side by side, the former would dwarf the latter. When books do appear about Japan during World War II, they are usually about the front in the Pacific, or, less often, in the Chinese and Burma theaters. A notable exception is Japan At War: An Oral History. However, Osprey Publishing has recently released The Japanese Home Front 1937 – 1945, which aims to help fill that gap.