How Paper Republic ended up leading what is possibly the world’s biggest collaborative translation

Nicky Harman writes about translating Chinese authors' reflections on Covid19, post-lockdown.

At the risk of blowing my (or at least, our Paper Republic's) trumpet a little, I’m going to start with the back-story: Brigitte Duzan, of Chinese-shortstories.com pointed out to me that a very well-known Chinese writer, Yan Geling, had written a piece blasting the authorities for mishandling the Covid19 crisis, which Duzan herself had translated into French. Why didn’t I do the same and post it on Paper-Republic? I did both, and a single post grew into the Read Paper Republic: Epidemic mini-series of essays and poems, exploring how some impressive Chinese writers (Yan Geling, Han Dong, A Yi, Lin Bai, and Wu Ang) have been personally affected by the COVID-19 outbreak.

Then the Leeds Centre for New Chinese Writing, with whom Paper Republic has partnered on many projects, had a new idea. I quote, ‘What better way to spend lockdown than having a shot at literary translation? You know you always wanted to try it, so why not have a go now?’ The deal was that anyone, anywhere in the world, could have a go at translating a blog post by Deng Anqing (邓安庆) on how he got shut in with his parents as the surrounding cities locked down, and how it affected his relationship with them. We were offering this opportunity to first-time or emerging translators, so after they had all submitted their work, there would be online feedback sessions by members of the Paper Republic team, including myself and Eric Abrahamsen. The final revised and agreed-on translation was to be published as the grand finale to the Read Paper Republic: Epidemic series. We called the project Give-it-a-Go Translation. We put out the call, and we waited.