Indie Spotlight: Building a community by writing - How my memoir about divorce connected people from around the world during the pandemic

Indie Spotlight is a column by WWII historical fiction author Alexa Kang. The column regularly features hot new releases and noteworthy indie-published books, and popular authors who have found success in the new creative world of independent publishing. 

 

One of the advantages of indie publishing is the freedom to bring our work to readers without adhering to the traditional model of book production. The freedom to share our work in progress with readers can help a writer determine whether her work resonates with the audience, and helps the writer improve her skills along the way by readers’ feedback. Today, I have the pleasure of introducing to you author Ranjani Rao. During the year of pandemic, when we were all stuck at home, Ranjani wrote a memoir on her divorce experience. While writing, she began sharing her progress via a subscription letter. Occasionally, her subscribers would receive sneak peaks of excerpts of her book. Through sharing, she not only built her readership, but created an entire community for people with marital problems who were looking for someone to articulate their feelings. 

As an indie author myself, I can say for certain that knowing our work touches the lives of our readers, and that our writing gave them emotional release, is one of our biggest rewards for our hard work and efforts.  And now, over to Ranjani to tell you her amazing journey. . .  

Indie Spotlight: Historical Fiction - When you say ‘authentic’ . . .

Indie Spotlight is a column by WWII historical fiction author Alexa Kang. The column regularly features hot new releases and noteworthy indie-published books, and popular authors who have found success in the new creative world of independent publishing. 

As a historical fiction author, I know that readers has a high expectation of historical accuracy in our books. When we write our characters, we strive to make them as authentic as possible to the era when our stories take place. But the more I read and research history, the more I find that people in the past often behave quite differently from what we expect based on our understanding of social norms and customs of their time. Today, I invited author Melissa Addey to join us and discuss what authenticity means when we talk about historical fiction. Melissa is the author of Forbidden City, a Chinese historical fiction series about the experiences of four girls who were drafted to become concubines of the Emperor in 18th century China. 

Now, over to Melissa . . .  

Indie Spotlight: Why I Write – Multiple-Award-Winning International Mysteries and Crime Thrillers Author Tikiri Herath Uses Storytelling to Empower Women Around the World

Indie Spotlight is a column by WWII historical fiction author Alexa Kang. The column regularly features hot new releases and noteworthy indie-published books, and popular authors who have found success in the new creative world of independent publishing. 

Today we bring to you Tikiri Herath, author of the six-book, multiple-award winning Red Heeled Rebels Thriller series. In her blog post below, she tells us how she uses fiction combined with personal insights gained through her heritage and experiences traveling and living abroad, to empower and give a voice to the most vulnerable and exploited women in the world. When I learned about her goals behind her books, I’m in awe of what she has done.

Red Heeled Rebels features a cast of diverse female characters in their twenties, hailing from four continents. Red Heeled Rebelsis the story of how the characters overcome their dark pasts, form a multinational found family and transform themselves into furious, feisty fighters who hunt down those who stole their humanity, and make them pay. You can find out more about the Red Heeled Rebels thrillers here: www.RedHeeledRebels.com.

Tikiri’s new Merciless Murder Mystery series follow up on the same characters from Red Heeled Rebels in their thirties, as they travel from town to town in America, solving cold cases and standing up to local authorities, solving the puzzles before anyone else can. The Merciless Murder Mystery series is here: www.TikiriHerath.com/Mysteries

Now, over to Tikiri . . .  

Indie Spotlight: A Tale of Two Series - How Author Jeannie Lin Took Took Her Asian Steampunk Series from Traditional Publishing to Independent Publishing Success

Indie Spotlight is a column by WWII historical fiction author Alexa Kang. The column regularly features hot new releases and noteworthy indie-published books, and popular authors who have found success in the new creative world of independent publishing. 

The publishing world is rapidly changing with technology. More and more, authors are finding new ways to offer their stories to readers. The limitations of traditional publishing have pushed many authors to leave behind the old model and try out all the new opportunities to expand their readership and get their books into the hands of the readers.

Our column today features Jeannie Lin, a USA Today Bestselling author of Chinese historical romance and historical fantasy. She is the author of the Gunpowder Chronicles, a Chinese historical steampunk series set in the Qing Dynasty that was originally published by Penguin. Here, Jeannie tells us the fascinating tale of how she took back the rights of the Gunpowder Chronicles, which was languishing under Penguin, and re-released it independently to make it a success.

Also, the final book of the Gunpowder Chronicles series, The Rebellion Engines, was just released on June 28. Be sure to check out this exciting series with a very different historical spin.

Now, over to Jeannie . . .  

Indie Spotlight: Cozy Mystery Author Anne R. Tan

Indie Spotlight is a column by WWII historical fiction author Alexa Kang. The column regularly features hot new releases and noteworthy books, and popular authors who have found success in the new creative world of self-publishing. In this column, Alexa chats with Anne R. Tan, USA Today best-selling author of the Raina Sun Mystery series and the Lucy Fong Mystery series. Her humorous cozy mysteries feature Chinese-American amateur sleuths dealing with love, family, and life while solving murders. 

What is a cozy mystery, and why do you write them?

A cozy mystery is typically a mystery with no gore, sex, or foul language. The bad guy is always caught at the end, and life returns to normal. Since I was a teen, my favorite reading genre is cozy mystery. However, the amateur sleuths are rarely a person of color.

 

The lack of diversity didn’t bother me until the birth of my daughter in 2011. I can find books with Chinese characters, but if the books are set in the U.S., the stories are usually about the immigrant experience. And if the books are set in Asia, the stories are “exotic and foreign.” While feeding my infant in the wee hours of the morning, I had a Jerry Maguire moment. I will write books that are more relatable to my American-born Chinese (ABC) daughter.

 

What is the inspiration for your books?

My Raina Sun Mystery series features a third-generation ABC from a large Chinese family. Raina Sun is your average grad student. She has the same concerns as everyone else—mounting bills, a boatload of Ramen…and murder. With her zany grandma as her sidekick, Raina stumbles on one dead body after another. Her ethnicity and culture shape her viewpoint and the course of the investigations. 

 

There are many aspects of the Chinese culture and beliefs my daughter will never experience because we live so far from a major Chinese hub like the San Francisco Bay Area. I hope to document these cultural aspects in my books.

 

 

Why do you indie publish your books?

I indie published my first book in 2014 after my son's birth (my children changed the trajectory of my life). While my books follow the cozy mystery genre expectations, a traditional publisher would never pick them up. 

 

I have a Chinese-American sleuth, a diverse cast, and Chinese culture. And Raina Sun travels, so she doesn’t always stay in her small town or neighborhood. These books are the American experience of Chinese families that have lived in America for multiple generations. Traditional publishers like to publish the Chinese immigration experience of my grandparents, and while that is important, they are not as relevant to my children. 

 

Interestingly enough, a big traditional publisher offered me a three-book deal a few years ago when diversity became desirable. However, their version of diversity is still too restrictive, so I declined the offer. I love the creative freedom of indie publishing.

 

What is your writing process like?

I am a civil engineer (yes, I love math). With a full-time job and young children, I write in the cracks of life. Hence, I write more than half my books on my phone. While my children are doing their after-school activities, I am tapping away on the sidelines. Sometimes I scribble thoughts into notebooks. 

 

The creative life, while rewarding, is all consuming at times. You give up your hobbies and sometimes even essential activities to finish the book. Even though I set my own schedule by indie publishing, I still have deadlines. If I do not turn in my manuscript on time, it has a rippling effect on my editors and release dates. And I also get emails and messages from disappointed readers. Once the book is done, I take several months off to recharge and do everyday stuff like cleaning up the house and buying clothes for my children. 

 

Is there anything else you’d like readers of this blog to know about you and/or your books?

If you're interested in a humorous cozy mystery with a dash of family drama and Chinese culture, the eBook for Raining Men and Corpses (Raina Sun Mystery #1) is free at all major retailers. A wacky Chinese grandmother loves to supply my main character with “weapons of mass destruction” in each book. Thank you for hosting me.

 

To learn more about Anne and her work, you can visit her website at http://annertan.com

Indie Spotlight: A New Year, A New Page Forward

Happy Chinese New Year! I’m indie WWII historical fiction author Alexa Kang, and it is my honor to begin the Year of the Ox as the Asian Books Blog's new Indie Spotlight Editor. You might have read my previous guest posts here and here. Going forward, I hope to bring you your next great reads.

 

Indie publishing has come a long way since Amazon opened the door in 2010 for authors to bring their stories directly to readers. The market of indie-publishing has matured since then. While writers can now release their books through online retailers, that alone is not enough for the books to reach and gain an audience. Successful indie writers today not only must offer quality books that can match and compete with traditionally published books, they must also be savvy in branding, marketing, and e-commerce.

 

My foray into indie writing was serendipitous. It began in 2016. I never aspired to be a fiction author. I was writing fan fiction for fun within the global fandom of the Japanese manga series, Candy Candy. My fanfic was very well-received, and was fan-translated into multiple languages. After my fanfic, I started writing a spin-off story from Candy Candy, with characters entirely of my own creation who I imagined to be children of the cast of Candy Candy. That spin-off story would ultimately become my debut WWII series Rose of Anzio.

 

I wrote Rose of Anzio over the course of a year. Each week, I would post a new chapter on a Candy Candy fan forum. I still remember fondly the days when Candy Candy fans who followed my story would eagerly devour each new chapter I uploaded. I realized then that Rose of Anzio had the potential to be read by a much wider audience. I started looking into publication options. Immediately, I learned two things. First, by posting the chapters on a public forum online, Rose of Anzio was considered already published, and no traditional publisher would accept a manuscript that had lost its “first publishing right”. Secondly, I can publish the story myself on Amazon.

 

Choosing to publish the story myself was thus a no-brainer. I had another career and wasn't aspiring to be a writer; endorsement from traditional publishers and literary prizes were far from my thoughts. My only wish was to get my story to readers, because it was fun!

 

I set about to learn all the ins and outs of publishing books on Amazon. By then, the indie writing market was already changing into a sophisticated industry. It was overwhelming to learn about cover design, formatting, promotion, sales and marketing strategies, and gaining readers. Luckily, the indie-writing community is very supportive. Experienced authors are forthcoming in sharing information with those who are just starting out. One consistent piece of advice they gave was that our books must be professionally produced. If not, the books will languish and never attract readers.

 

Following their advice, I found an editor, proofreaders, and a cover artist. I also retained a fellow British author to review my British-born female main character's dialogues to make sure she spoke accurate Queen’s English (I’m an American writer myself). My story had numerous battle scenes. I went online in search of expert advice. A military historian generously offered to be my consultant and helped me create and reviewed my battle scenes. Before my books went to print, I retained a second editor, a U.S. infantry veteran, to review my military and battle scenes to make sure the characters' actions, behaviors, dialogues, and the way the battles were written, were authentic and believable. 

 

Next, I devised a marketing plan. I implemented strategies I learned from the indie-pub community to build momentum for my book release, and to build and retain a fan base. I also had a bit of luck. My Candy Candy fanfic readers, who had been reading Rose of Anzio chapters online when I was writing the story, were eagerly waiting to have the print version in their hands. When the first book in the series came out, they not only bought copies, thus giving my book an initial boost, but also left glowing reviews of why they liked the book.

 

In retrospect, releasing my books on my own was the best thing I could have done. It turns out, many of my readers had lived through the war era. I had no idea this was the case when I first published. I assumed most of my readers would be in my own age group. The first time I received an email from a reader, it was from Marci, a lady who wanted to know when the second book in the Rose of Anzio series would be released. Marci said she and her best friend worked in Chicago in 1940. Rose of Anzio-Book One was set in 1940 Chicago. She told me she bought the eBook for herself, and a print copy for her best friend. 

 

My jaws dropped when I read Marci's email. I had to read it several times to confirm I was reading it right. Did she say she worked in Chicago in 1940? My book was released in 2016. I was shocked to learn that my novel resonated with readers who knew life in 1940s Chicago first-hand. I learned then that all my hard work and research had paid off.

 

Over time, I discovered that my books were bringing back memories to a generation of readers nostalgic for a world they once knew. In a Facebook group for WWII fiction readers and writers, a reader, Bonnie, once posted and recommended Rose of Anzio. I never interacted with Bonnie except to thank her for a post recommending my books to the group. When Bonnie finished reading my novel Eternal Flame, a Rose of Anzio spin-off, she left a one-sentence, positive review on Amazon. Three days later, a fellow group member told us Bonnie had passed away. I did not know until then that Bonnie had been terminally ill. The news filled me with emotions as I realized she had spent her last hours reading my book. She even left me a gift of a review. I could not tell her how grateful I was. I could only hope that my story gave her a little bit of comfort before she left.

 

This would not be the last time I had to bid farewell to a reader. Another reader who reached out to me was Betty Martin. Ms. Martin lived through the war era, and her husband was part of the Flying Tigers, the U.S. air force unit that fought in West China. Ms. Martin and kept in touch for two years, until her friend alerted me to her passing and told me Betty had been waiting for my next release. I was very saddened to hear the news, and I dedicated my next book to her.

 

When I think of my readers from the Greatest Generation, I’m glad that I had inadvertently fallen into self-publishing. If I had taken the traditional publishing route, I might have missed the chance to bring my stories with these readers. Even if an agent and a publisher had picked up my books, it would take on average two years for each book to be published. If I am able to give a few hours of comfort and escape to readers like Marci, Bonnie, and Betty, that would be reason enough for me to continue this course.

 

Being an indie author also gives me the freedom to write books without a proven sales record in the market. Currently, the WWII fiction genre is sorely lacking in novels with Asian main characters, and novels set in the Pacific. Traditional publishers are often averse to taking on books without data assuring sales. Unconstrained by such concerns, I wrote my series, Shanghai Story, to chronicle China's descent into WWII. The story features a Chinese male character. Novels with an Asian male lead is still a rarity today. I took the risk that traditional publishers are less willing to take, and am happy to discover that there is indeed a market demand.

 

For my current series, I am continuing to walk the path less traveled. In the WWII fiction genre, there are woefully few novels about Nisei (second-generation Japanese-Americans). Of the ones currently sold, the focus is on internment camps. I want to explore the Nisei experience beyond the confine of the camps. My new release, Last Night with Tokyo Rose, follows the journey of Tom Sakai, a Nisei growing up in an America increasingly hostile to those of Japanese ancestry. When he is stranded in Manila after Pearl Harbor, he would have to navigate the treacherous terrain of a world in which Japan and America are at war, and decide where his allegiance lies.

 

In the coming year, I plan to introduce to you books by some of the best indie authors in today’s publishing world. We will learn the interesting stories of how they came onto the path of indie-publishing, and their works which you would not want to miss.

I invite you all to visit my website at https://alexakang.com. You can also sign up for my newsletter at https://alexakang.com/newsletter

 

Indie Spotlight: Qing Dynasty inspires Time Travel Duology

This month on Indie Spotlight, Bijou Li tells us about the inspirations behind her time travel novels which she has self-published on Amazon. Over to Bijou...

I became interested in the dramatic historical event, Nine Sons Competing for the Throne (九子夺嫡) when my sister recommended the online novel Scarlet Heart (步步惊心) to me back in 2010. I also watched the TV drama series right after I finished reading the book. Aside from the history, what the story fascinated me the most was the main character’s “prescience” of the fate of each person she interacts with while living in the 18th century.

I liked the story so much that I couldn’t stop thinking about it for months afterward, and I told my sister I would like to write a book about how the fourteenth prince traveled back in time to change the fates of him and his brothers. She didn’t take me seriously, and neither did I. But years later, I watched another TV series Palace (宫锁心玉)and my ambition sparked again. I sat down and wrote a few chapters, got stuck, and put it aside until 2018, a year after I self-published my first book on Amazon. By then, I had read a lot more popular time-travel books both in Chinese and English, and come up with a plot way more intriguing than I initially had in mind.

The plot of the story is based on the conjecture that Emperor Yongzheng, the fourth son of Kangxi, seized the throne from the intended heir, which was the fourteenth prince. The most popular theory is that Yongzheng added a stroke to the emperor’s will, thus changing the phrase “the fourteenth prince shall succeed the throne” into “the fourth prince shall succeed the throne.” It is perhaps just a rumor, but it certainly provides fodder for the imagination of fiction writers like me.

The most enjoyable part of writing the story to me is learning about the ancient culture of China. The discovery of the origin of card games, different ways of gluing rice paper on the lattice windows, how ice was stored throughout the year in the Forbidden City, etc. all broadened my mind. During my research on the Qing Dynasty, I also came across many fascinating characters that I couldn’t help but include them in the story, and it was a reason for the plot getting more complicated and the story getting longer. I found myself spending a lot more time browsing the internet than writing, which was the main reason it took me so long to finish the books.

I was born in China, and I went to college in the U.S. My dream of becoming a writer started when I majored in English. I’m grateful for the self-publishing opportunities made possible by Amazon. Knowing my books are being read daily by people from all over the world is a rewarding experience. I’ve also gotten to know many other aspiring writers who are passionate about writing and sharing their stories with Asian themes.

Please see Bijou's Amazon author page at this link

Indie Spotlight - Goddesses of Japan

In Indie Spotlight this month, Kazuko Nishimura tells us about her Goddesses of the World series. Historical fiction from Japan with a mythical theme. Over to Kazuko...

The Goddesses of Japan, is Book One of the Goddesses of World Series.. It is set in Japan and covers the narratives of its Creation to the modernisation in the Nineteenth Century, when the country comes out from the self-imposed seclusion. It is sold on Amazon.

Indie Spotlight: The Scent of Frangipani - Dollarbird's first book launched

Last month on Indie Spotlight, Phil Tatham, publisher at Monsoon Books, told us about their exciting new hybrid imprint, Dollarbird. This month, Anjana Rai Chaudhuri, author of Dollarbird's debut novel, tells us about the inspirations behind her book, The Scent of Frangipani and her road to publication...

Welcome to Indie Spotlight, Anjana. Tell us about your writing journey. Why did you become a writer?

I am a research scientist by profession with a PhD degree in Chemistry, and I have done technical writing from the age of 25, research publications, book chapters and research funding proposals. Having had an interest in English Literature from young, I graduated with a BA degree in English Literature at the age of 54. Then I started to write creative fiction.

Indie Spotlight: Dollarbird - Monsoon ventures into hybrid publishing

Apologies for the late posting of the October Indie Spotlight. This month we're taking a look at an exciting new development from leading independent publisher of books on Asia- Monsoon Books who have recently launched a new imprint, venturing into a new business model - hybrid publishing. Over to publisher, Phil Tatham for the detail...

Monsoon Books launched its second imprint, Dollarbird, in late 2019 with half a dozen exciting new titles in the pipeline or already in stores. The first title to be released, The Scent of Frangipani by first-time Singaporean author Anjana Rai Chaudhuri, will be officially launched at Singapore Writers Festival 2019 at an event moderated by award-winning author Suchen Christine Lim.

Although Dollarbird continues Monsoon Books’ specialism in concentrating on books set in Southeast Asia, what differentiates it is the business model. Dollarbird is a hybrid imprint, a business model fast gaining ground amongst independent trade publishers in the UK and US. The hybrid model pays authors royalties of 50% of the publisher’s net receipts in return for an upfront payment to help subsidize the publisher’s production costs.

The benefit for Monsoon Books is that the financial risk of producing the book is mitigated, meaning we can afford to widen the net and publish quality manuscripts by new authors or in new genres that we would otherwise have rejected for financial reasons. Like most other indie trade publishers, Monsoon Books is constrained by financial resources and, with some exceptions, tries to publish what it hopes will become profitable for publisher and author. Monsoon typically publishes 12 to 15 new books a year and, increasingly, we are only accepting works in existing series or standalone books by existing authors. It is hoped that Dollarbird will enable us publish more books by new authors and in new genres.

Indie Spotlight - Myanmar - A Daughter's Promise - Ann Bennett

In my first blog post as Indie Spotlight contributor, I wrote about The Foundling’s Daughter, set partly in India in the days of the British Raj. This was my first foray into self-publishing. Since publishing the book through my own Andaman Press in December 2018, I’ve learned marketing through trial and error and the book has been more successful than I could have hoped – staying in the top 10 of Historical Asian fiction category on Amazon.co.uk, and the top 20 in the same chart on Amazon.com. Sales have tailed off lately, but have led to a two-book publishing deal with mainstream digital publisher  Bookouture. The book will be published (freshly edited and under a new title – yet to be revealed) for pre-order in December 2019, publication date February 2020.

Indie Spotlight - White Monkey

This month on Indie Spotlight, Carlos Hughes tells us about how his work teaching English as a foreign language led him to write about his experiences. Over to Carlos...

There are very few things that I am any good at where I would put a label on myself but I think a label that I could put on myself that wouldn't break the Trade Descriptions Act would be one of a writer. Even as a kid who couldn't stand school and would eventually leave/be thrown out with no qualifications at 16 - I always loved creative writing classes during English lessons. The only problem was I tended to go a bit mad when it came to creative writing and would end up writing 15 or so pages of a story within an hour only for the teacher to go 'Hughes, what have I told you before about this? Two pages MAXIMUM!'

So it wasn't like anyone in school was that bothered about my abilities or hidden genius but it was somewhat therapeutic and enjoyable for me.

Indie Spotlight: Guards Gone Wild!

My guest today is Loh Teck Yong, a Singapore security guard who has self-published an interesting and original account of his experiences. Here he tells us about his road to self-publishing.

Security guards have it rough in Singapore. I know because I started working as one back in 1999. Full-time guards have to put up with a 72-hour work week and the week gets even longer for those who work 24-hour shifts. And while we are battling long hours for very low pay, we have to fend off attacks from unappreciative superiors, angry members of the public and even our own colleagues.  

Indie Spotlight: Researching the Raj - Ann Bennett

In this post I talk about my fascination for India, and my research into the British Raj for my novel 'The Foundling's Daughter.'

Me on a trip to Udaipur in 1990

I’ve been fascinated by India from an early age. My father was posted to the North West Frontier – now the border between Pakistan and Afghanistan - in the 1930s, and used to tell many stories from his time there, as well as speaking fluent Urdu. This kindled my interest in the region.

On trips to India in my twenties I was struck by how British influence still pervaded, largely in the buildings and architecture, but in other ways too – in the bureaucracy encountered in booking a rail ticket, in the love for the English language, and in some traditions - the love of cricket, and tiffin in the afternoons. In some of the towns I visited – Agra and Jaipur for example – there were many forlorn, abandoned bungalows where British officials would once have lived, now derelict and crumbling, their gardens overgrown, together with churchyards full of graves of the British who had met an early death far from home. This got me wondering about the lives of those people – what must it have been like to make a home in such a different culture, so far from your roots, often in lonely and difficult conditions?

Indie Spotlight: The Imperial Alchemist - AH Wang

As the new contributor to the Indie Spotlight, I'm thrilled to introduce my first guest, AH Wang who has been inspired by ancient Taiwanese history and mythology to write The Imperial Alchemist - a gripping archeological thriller with a difference, to delight fans of Indiana Jones and anyone interested in the history of this fascinating land. 

In this post she gives us some background to the book and the inspirations around it....

Indie Spotlight, introducing Ann Bennett

Ann Bennett has just taken over our monthly column, Indie Spotlight, which focusses on indie authors and self-publishing.

Ann published her best-selling Bamboo trilogy, Bamboo Heart, Bamboo Island, and Bamboo Road, conventionally, through Monsoon Books. All three novels are set during and after World War Two, in Burma, Malaya and Thailand.  Bamboo Heart won the inaugural Asian Books Blog Book of The Lunar Year, for the Year of the Horse.

Ann chose to self-publish her most recent novel, The Foundling’s Daughter. It concerns a mystery with its roots in British India, during the Raj.

To kick-off as our new columnist, Ann here introduces herself, and her work.

Broken Wings, Jia Pingwa's novel about a trafficked woman, in translation

             

Nicky Harman writes: I have just finished translating Broken Wings, a novel by Jia Pingwa about human trafficking. Kidnapping is not a popular theme in literary fiction; a Goodreads list consists exclusively of man-rescues-beautiful-girl, “romantic suspense” genre novels. (Though of course, there is also a lot of quality non-fiction, in the form of memoirs by trafficked women.) So some of Jia Pingwa’s biggest fans in China were surprised when this work (called in the original Chinese, 《极花》, literally, extreme- or pole-flower) came out in 2016. Butterfly is a young woman who is kidnapped and taken to a remote country village where Bright Black, the wifeless farmer who has bought her, imprisons her in his cave home. He rapes her and she gives birth to a baby son. The rape, the birth and Butterfly’s fading hopes are described in her own voice, and the effect is bleak. Jia writes in his Afterword that he was inspired to write this story by the experience of a friend whose daughter suffered a similar fate. The real-life young woman was eventually rescued but could not cope either with her sudden notoriety or the loss of her baby, whom she had had to leave behind, and actually returned to the village.

Broken Wings is a disturbing read for other reasons too: Jia Pingwa hints at Butterfly's impending mental breakdown, and presents us with an eventual rescue which may, or may not, be a dream sequence. Will Broken Wings appeal to English-language readers and if so, why? Having been alone with my translation for many months, I was keen to ask my editor, David Lammie, for his views on the book.

Indie spotlight: Shanghai Dreams

Indie spotlight focusses on self-published authors and self-publishing. Alexa Kang is a Boston-based, Chinese-American author who publishes her Shanghai Story trilogy, World War 2 historical fiction, through her own house, Lakewood Press. You can read about book 1,  Shanghai Story, here.

Shanghai Dreams is the second book in the trilogy. It tells the story of Clark Yuan, the Western-educated son of a prominent Chinese family in Shanghai who became a KMT operative, and Eden Levine, a Jewish refugee from Munich who came to Shanghai with her family to seek safety and a new life away from the Hitler regime. One of the characters, John Rabe, is based on a man who existed in real life. Rabe was a Nazi who nevertheless saved many lives.

Alexa here discusses the complexities of depicting a Nazi character in a sympathetic light.

Indie Spotlight: Crystal Watanabe

Indie spotlight focuses on self-publishing and indie authors. When Christie Dao, a Vietnamese-American now based in Singapore, self-published her inspirational book, Actualize Your Dreams, she felt it was important to work with an Asian-American editor. She chose Crystal Watanabe. Here, Christie interviews Crystal.

Indie spotlight: Remembering Shanghai by Claire Chao

Indie spotlight focuses on self-publishing and indie authors.

Hawaii-based, Hong-Kong-born Claire Chao is the co-author, with her mother Isabel Sun Chao, of Remembering Shanghai: A Memoir of Socialites, Scholars and Scoundrels, published by the indie publisher, Plum Brook.

Remembering Shanghai follows five generations of the Chao family over two centuries, from the time of Claire's great-great-grandfather down to the present. Mother and daughter traced their family story as far back as they could. Claire's great-great-grandfather rose from poverty to become a minister to the empress dowager, and built a large portfolio comprising hundreds of properties, a bank and a shipping company.

Isabel Sun Chao, the memoir's main protagonist, grew up the third daughter among six siblings in glamorous 1930s and ’40s Shanghai - everyone’s favorite child, cosseted by servants, wet nurses, cooks, drivers, even a resident tailor.

Soon after Mao came to power in 1949, Isabel journeyed to Hong Kong. Clutching a pink suitcase packed with party dresses to wear on her spring holiday, she didn’t realize that she would never see her father, or her grandmother, again. Claire accompanied her to Shanghai nearly 60 years later to confront her family’s past, one that they would together discover to be by turns harrowing and heartwarming.

Claire here discusses why she and her mother decided to write a family memoir, and gives advice to other indie authors.