Editor's note: We're delighted to feature a review of Tse Hao Guang's latest collection  by another gifted Singapore poet, Mok Z...

Poet Ng Yi Sheng (front row) snaps a photo as Claudia Rankine and Nate Marshal l share a lighthearted moment during their dialogue at the Na...

Editor's note: When I arrived at the launch of his debut collection going home a fortnight ago, the first thing that struck me about Jo...

For all its prestige, the editor's role is one that often goes unsung.  Frequently serving as proofreader, designer, gatekeeper and publ...

Guest post by Laura Jane Lee Daryl Lim Wei Jie’s sophomore collection Anything But Human is a provocative incantation of sensations and sen...

  Kristine Ong Muslim recently translated Hollow (original title, Guwang), a collection of some of Arguelles's early poems written in ...

Editor’s note: Parwana Fayyaz’s highly-anticipated debut was released earlier this year, titled ‘Forty Names’ after a gorgeous poem  (first ...

Editor's note : Given the upheavals of the past two years, a theme that has surfaced repeatedly at discussions and readings of poetry is...

  My trusty webcam: indispensable for Zoom poetry workshops! Earlier this year, I invited four poets and teachers – Inez Tan and Ann Ang , a...

  Editor's note:  Our poetry column returns this month with a guest post by Yulia Endang, an Indonesian poet who works in Singapore. The...

Editor's note:  In last month's column , we asked two writers and educators, Inez Tan (in California) and Ann Ang (in Singapore), to...

Editor's note:  Growing up in Singapore, my high-school literature curriculum  – as far as I can remember it – consisted of a steady die...