Publishing in Pakistan

Safinah Danish Elahi talks to Devika Misra about the pitfalls and possibilities of publishing in Pakistan.

English readership in Pakistan is relatively small; none of the big five publishing houses has a significant base in the country. But Pakistani writer and independent publishing house owner Safinah Danish Elahi argues that English fiction by Pakistani writers deserves more attention. She contends that readership patterns are slowly evolving. Although Pakistani fiction publishing is still very much in its infancy, she believes that the role of independent publishers is more crucial than ever before. She spoke to Devika Misra on the occasion of the launch of her most recent novel, The Idle Stance of the Tippler Pigeon.

Prizes and parties...

Some end-of-year thoughts from Nicky Harman

In my more pessimistic moments, I feel Chinese novels translated into English are a hard sell and I’m not sure when or if they will ever become part of the literary ‘mainstream’ in the West. My friend the poet and novelist Han Dong concurs: he reckons that Chinese fiction in foreign languages will never sell like western fiction translated into Chinese. You may or may not agree with his reasoning: Chinese readers are exposed from childhood to life in the west, through classic and new translations, books, films and TV series. But that familiarity doesn’t work the other way around. So Chinese literature doesn’t capture readers’ imagination.

I thought about this argument and wondered: so then do we only read fiction that describes worlds we are familiar with? Well no… not exactly. Just look at the winner of the 2019 Man Booker International prize, Jokha Alharti. Her novel, ‘Celestial Bodies’, is about Omani tribal society, hardly a place most of us have lived in or are familiar with. But it is a beautiful, captivating read.

Khaled Lutfi awarded 2019 IPA Prix Voltaire

Imprisoned Egyptian publisher Khaled Lutfi has been selected for International Publishers Association’s (IPA) 2019 Prix Voltaire which supports defenders of freedom to publish.
Kristenn Einarsson, Chair of the IPA’s Freedom to Publish Committee said: “The international publishing community stands with Khaled Lutfi. We must support Lutfi’s fellow publishers in Egypt so that his imprisonment does not lead to fear and self-censorship in a country of such rich literary heritage.”

José Borghino, IPA Secretary General added: “IPA calls on President Abdel Fattah El-Sisi to grant Khaled Lutfi a presidential pardon.”

Indonesia as London Book Fair Market Focus 2019

The London Book Fair is one of the global marketplaces for publishers. This year's fair takes place next week. Each year, the fair chooses one country to be the market focus; this year, that country is Indonesia.

UK-based Monsoon Books publishes books about Asia, and has strong links with publishers in Indonesia. Phillip Tatham, publisher of Monsoon Books, here looks ahead to the Indonesian focus at LBF.

The nitty-gritty in turning a manuscript into a book by Eldes Tran

Eldes Tran is an associate editor at Epigram, an independent publisher in Singapore. She has worked with non-fiction and literary fiction authors, and has helped developed children’s books, from picture books to middle grade. She here explains how a manuscript becomes a book.

BALESTIER PRESS, THE ART OF IDEAS — IN TRANSLATION

You think being a small indie publisher is challenging? Then trying being a small indie publisher who focuses on translations from Chinese! Today, Nicky Harman interviews Roh-Suan Tung, of Balestier Press, about what propelled him into publishing, his favourite books and his hopes for the future.

Founded in 2013, Balestier Press is an independent publisher of Asian literature and books related to Asia, including novels, essays and picture books, for children, young adults and adults. Balestier aims to provide a diverse platform for the different voices in Asia by publishing the best and most innovative Asian literature. Director Roh-Suan Tung says: “We hope to promote a greater cultural understanding and awareness of Asia, to tell the story of an evolving Asia through its people, culture, literature and artistic expressions."

NH Can you tell me how and why you got into publishing? I understand you came from a science background.

RT 

I started by publishing newsletters on media freedom in Taiwan in the 80s. I then became a theoretical physicist and served as editor for international journals and academic publishing for a few years. I enjoyed exploring the frontiers of physics and our understanding of the cosmos, and I appreciate the value of science, but I’ve always felt the need for more English-language publications in literary arts and humanities. Partly because I’ve lived in quite a few major cities in the east and the west.

Indie spotlight: An indie author’s guide to marketing, part II – selling

Indie spotlight focusses on self-published authors and self-publishing. Here, in the second of a two-part series on marketing, Alexa Kang, a Boston-based, Chinese-American author of World War Two historical fiction, published through her own house, Lakewood Press, gives advice on selling. This follows her post on branding, which appeared last Friday.

Alexa recently brought out Shanghai Story, which is set in 1936 Shanghai. It is the first book of a projected trilogy set to chronicle the events in China leading up to World War Two, as well as the experience of Jewish refugees in Shanghai.

So, over to Alexa…

Indie spotlight: An indie author’s guide to marketing, part I – branding

Indie spotlight focusses on self-published authors and self-publishing. Here, in the first of a two-part series on marketing, Alexa Kang, a Boston-based, Chinese-American author of World War Two historical fiction, published through her own house, Lakewood Press, gives advice on branding. She will follow-up with a post on selling, on Monday.

Alexa recently brought out Shanghai Story, which is set in 1936 Shanghai. It is the first book of a projected trilogy set to chronicle the events in China leading up to World War Two, as well as the experience of Jewish refugees in Shanghai.

So, over to Alexa…

Signal 8 Press by Marshall Moore

Signal 8 Press (S8P) is an independent publisher in Hong Kong. The company originally published books focussed primarily on the Asia-Pacific region, with a particular interest in books that reflected an East-meets-West sensibility. Although Asia remains its top publishing priority, it has now branched out to publish books from and about other regions, in various genres and categories.

Marshall Moore is the founder and publisher of S8P. He here gives an overview of the company’s history, and of the problems of publishing in our grim old world.

Interview with Singapore Unbound Founder Jee Leong Koh

This is Lucía Orellana Damacela first column as International Correspondent for Asian Books Blog. Interview with New York-based Singapore Unbound founder and organizer Jee Leong Koh.

 
How was SG Unbound born, when, who created it?

It all began when writer and arts administrator Paul Rozario-Falcone and I got together one wintry afternoon in Cornelia Street Café, in New York City, to discuss the possibility of organizing a Singapore literature showcase in our adopted home. The literary scene in Singapore was growing, with new writers, presses, and publications, and we thought it was time to introduce the Big Apple to the Little Red Dot.

To rally support from the creative community in NYC, we started the Second Saturdays Reading Series, a monthly gathering featuring an open mike and a published author, and hosted in different private homes around the city. The first Second Saturdays gathering was held in Paul and Al’s home in Carroll Gardens in February 2014.

With the support of this community, we mounted the first Singapore Literature Festival in NYC in October that year, showcasing 14 Singaporean writers. The festival was so warmly received that I

was encouraged to make it a biennial event. At the 2^nd Festival in September 2016, Singapore Unbound was officially launched.

Why Camphor Press reissued The Teahouse of the August Moon / John Ross

When publishers reissue older titles, Asian Books Blog asks them why.

Here, John Ross explains why Camphor Press reissued The Teahouse of the August Moon, by Verne Sneider.

At the end of the Second World War the United States found itself in the position of an accidental imperial power administering numerous foreign territories. The first major novel to examine this challenge was John Hersey's A Bell for Adano (1944). A U.S. Army officer is placed in charge of a town during the American occupation of Sicily. He brings democracy and other changes to Adano, often siding with the local people against his unsympathetic commander, and - despite seemingly more important matters to attend to - helps the locals replace a beloved town bell, which was taken away by the Fascists.

Proverse Hong Kong by Gillian Bickley

Proverse Hong Kong is a publishing house with long-term, and expanding, regional and international connections. The company administers the international Proverse Prize for Unpublished Non-fiction, Fiction and Poetry, which is open to writers everywhere, irrespective of residence, citizenship or nationality.

This week will see a double bill of posts about Proverse. Tomorrow, Ivy Ngeow, winner of the 2016 Proverse Prize for Fiction, will talk about her new novel, Cry of the Flying Rhino, which is published by the company.


Today, Gillian Bickley, Proverse co-publisher and Proverse Prizes co-founder, talks about the company's authors, books, origins, aims, and development.

StoryDrive Asia 2017

StoryDrive Asia is a conference dedicated to exploring new forms of collaboration, and developing new business models, across media and publishing boundaries in Asia. It is organised by the Frankfurt Book Fair, in collaboration with regional partners, and it is attended by professionals working in the print, audio, film, and TV sectors.

Eastbridge Books by John Ross

Camphor Press is a UK-based publisher specialising in English language books about East Asia, particularly Taiwan.  The company recently acquired an American company, EastBridge, and is now making its titles available to a new readership. John Ross, one of the co-founders of Camphor Press, here explains…