Asia House Bagri Foundation Literature Festival 2017

The Asia House Bagri Foundation Literature Festival starts in London today, and continues until Friday, May 26.  This is the only UK-based literary festival dedicated to discussing writing about Asia. It takes a pan-Asian approach including books from Turkey in the West, to the Philippines in the East.

Writer, journalist and translator Hande Eagle is the Literature Programme Manager at Asia House. She is responsible for organising the Festival.  Hande is a Turkish national, who has been a long-term resident of the UK.  She only started her job in January, when “half of the Festival had already been organised and I had to absorb everything in the blink of an eye.”  She here answers questions about the upcoming Festival. 

How did you become involved in the Asia House Bagri Foundation Literature Festival? 

After graduating from a UK university, the University of Leicester, with a BA in Sociology, I worked in HR at a multi-national medical company. After some time, I realised that this really wasn’t the career path I wanted to go down. So, I moved back to Istanbul in 2008 and started soul-searching. I had started writing at a young age and I wanted to write. I was interested in literature and art and as part of that, having lived in the UK as a Turkish national for over ten years, I was also interested in translation. So, by taking small steps, I entered the world of publishing. At first I worked as an Assistant Editor at a prestigious art magazine, and later decided to become self-employed and direct my own translation and editorial business. Towards the end of 2009 I was invited to write for the arts and culture pages of Cumhuriyet, a Turkish national daily established in 1924. This was something I had dreamt of since I was a little girl because I am from a progressive family who very much admired Cumhuriyet’s stance towards social life, culture and politics in the 1980s and 1990s. I wrote for Cumhuriyet for five years. Meanwhile, in 2012 I moved back to the UK and continued to work with numerous publishing houses, private art institutions, magazines and newspapers in Turkey and in the UK. Over time, I felt that I needed something more. I wanted to be involved in events organisation and in working on different ideas with a team, to add a new aspect to my career and also be more engaged with people. I had known about Asia House for a couple of years when I applied for the position of Literature Programme Manager at the end of 2016. I was both excited and intrigued by the idea of managing the only pan-Asian literature festival in the UK. 

Q & A: Michael Breen

A long-term resident of Seoul, Michael Breen is a British journalist who first went to Korea as a freelance reporter, contributing to a range of international publications. His wife is Korean, and he speaks the language, although he engages the help of translators and interpreters when necessary. He has just published The New Koreans: The Business, History And People Of South Korea. The book began as an update to an earlier one, The Koreans: Who They Are, What They Want, Where Their Future Lies. This was written in the late 1990s, and Michael found so much had changed that his intended update turned into a new book. 

Who are the South Koreans, and where does their future lie?  The New Koreans explores the nature and the values of the Korean people against the background of a detailed examination of the complex history of the Korean Peninsula, in particular its division, and South Korea’s emergence as an economic power.

Given this is your second book on the subject, are you worried tracking the contemporary history of South Korea will come to dominate your writing life?

I’m not done with Korea, but I’m done with this topic of the general study of it. A quick update to the new book would be manageable, but a major strategic shift on the part of the Koreans – like, say, re-unification – would need another whole new book and I’m not sure I’m up for that.

500 words from J.W. Henley

500 Words From is a series of guest posts from writers, in which they talk about their latest books. J.W. Henley has just brought out his second novel Bu San Bu Si: A Taiwan Punk Tale, which throws readers headlong into the grimy underworld of Taipei’s outcasts, revealing a side of Taiwan few outsiders ever see.

Bu San Bu Si (not three not four) is a Taiwanese idiom used to describe punks, lowlifes, and losers – people who don't fit in. Henley’s protagonist, Xiao Hei, is bu san bu si. Talented and self-destructive, young and reckless, Xiao Hei is the guitar player for Taipei punk band Resistant Strain. He takes punk as a lifestyle. Live Fast. Die Young. Get Drunk. Stay Broke. And yet, at the back of his mind he feels a gnawing lust for fame; a longing for the big time.  He seizes his chance, even though it is offered by former mob boss Jackie Tsai, a key player in the Taipei criminal underworld. Once Xiao Hei is bound to Jackie, everything is on the line. His family. His girl. His band. Even life itself. How much is he willing to sacrifice for fame? How much is he willing to give, and who is he willing to give up?

Journalist J.W. Henley has lived in Taipei for over ten years, documenting the underground music scene, and playing in Taiwanese punk and metal bands. Bu San Bu Si is his second novel, following up on the success of his first, Sons of the Republic. 

So, over to J.W. Henley…

On a Chinese Screen / guest post by My Maugham Collection

W. Somerset Maugham (1874-1965) was a prolific British playwright, novelist and short story writer, who, in his day, was among the most popular writers in the English-speaking world. He was most productive during the first half of the last century, and was said to be the highest-paid author in London during the 1930s. He travelled extensively in Asia, and wrote about his experiences in books such as On a Chinese Screen, and The Gentleman in the Parlour, an account of his travels in Burma and Vietnam.  He wrote a series of short stories set in colonial Singapore and Malaya.

My Maugham Collection is a blog focussing specifically on the blogger’s collection of first editions of Maugham’s books, and, more generally, on all things Maugham-related.  Here, the blogger discusses On a Chinese Screen. The book is mostly composed of a collection of quick sketches of Westerners who are out of their depth in China.  It casts a sharp eye over, amongst others, colonial administrators, missionaries, businessmen, and overbearing women.

So, over to My Maugham Collection...

Aquatic culture in Việt Nam / guest post by Ben Kiernan

Newly-published Việt Nam: A History from Earliest Times to the Present,  by Ben Kiernan  explores the history of the different peoples who have lived in the three major regions of Viet Nam over the past 3,000 years. It brings to life their relationships with these regions' landscapes, water resources, and climatic conditions. It addresses head-on the dramatic impact of changing weather patterns from ancient to medieval and modern times. The central importance of riverine and maritime communications and systems to life in Việt Nam is a key theme.

Ben Kiernan is the A. Whitney Griswold Professor of History at Yale University. He founded the University's Cambodian Genocide Program, which later became the Genocide Studies Program, and has served as Chair of Yale’s Council on Southeast Asia Studies. He has written extensively on South East Asia, on genocide worldwide, and on genocide in Cambodia.

Here he discusses Việt Nam as an aquatic culture.

Lion City lit listing: Art Book Fair at Gillman Barracks

Asian Books Blog is based in Singapore – the Lion City.  Lucía Damacela keeps an eye on local listings.

What: An annual event, the Singapore Art Book Fair (SABF) showcases contemporary art books & magazines.

Lion City Lit: OF ZOOS

Asian Books Blog is based in Singapore. Our regular column Lion City Lit explores in-depth what’s going on in the City-State, lit-wise. Here Lucía Damacela continues her occasional series highlighting Singapore online literary magazines, by talking to New York-based Kimberley Lim and Singapore-based Hao Guang, respectively the founding editor and the co-editor of OF ZOOS, an annual, theme-based, online magazine publishing poetry and poetically sensible art by Singaporeans for Singaporeans, and for everyone else. It published its first issue in April 2012.