Aurelia Paul is a senior year student at Boston University, studying comparative literature and Chinese. In her fortnightly column Student bookshelf she shares responses to texts she's reading in her classes.
Here she discusses Zuangzi's curiosity and Laozi's austerity in the DaodeJing and the Zuangzi, two foundational texts of Daoist philosophy.
The DaodeJing (Tao Te Ching ) is a Chinese classic text traditionally accredited to the 6th-century BCE sage Laozi. It deals with metaphysics, morals and politics.
The Zhuangzi contains stories and anecdotes exemplifying the carefree nature of the Daoist sage. It is traditionally accredited to Zuangzi, another influential Chinese philosopher who lived around the 4th century BCE. (Zhuangzi, as on the book cover, is a variant spelling.)
So, over to Aurelia…
Monday, 12 March 2018
Thursday, 8 March 2018
International Women's Day in Asia
- all girls have access to health care in infancy
- all girls receive primary education
- all girls are literate
- all forms of discrimination against all women and girls is ended
- all forms of violence against all women and girls in public and private is ended
- trafficking and sexual exploitation is ended.
- child, early and forced marriage is ended
- female genital mutilation is ended
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News
Monday, 5 March 2018
Lover, photographer, gun-runner, spy: Xiao Bai's literary spy thriller French Concession
The Asian literary spy genre isn’t a defined genre as such, but perhaps it should be. Xiao Bai’s French Concession stands in a solid pantheon (if one may call it pantheon within such an amorphously-bordered genre that encompasses such disparate geographies and time periods) that includes Mai JIa’s recent thriller Decoded, compared to Eileen Chang’s Lust, Caution (per one review) and poses as a counterpoint to a host of other Asian literary spy thrillers written as far back as Francis Van Wyck Mason’s 1933 Shanghai Bund Murders. One key difference with Xiao Bai’s offering is that it’s a literary spy novel written by an Asian writer in his native language, and subsequently translated for a Western audience, thus the translation itself (by translator Chengxin Jiang) stands as a conduit that needs to be considered.
Friday, 2 March 2018
Lion City lit: #BuySingLit 2018
Asian Books Blog is based in Singapore. Our regular column Lion City lit explores in-depth what's going on in the City-State, lit-wise.
#BuySingLit is a movement to celebrate stories from Singapore. Advocating buy local, read our world, local book publishers, retailers and literary non-profits come together to encourage more people to discover and embrace Singapore's literature.
Building on the success of the inaugural edition in 2017, #BuySingLit 2018 runs from 9 - 11 March, at multiple venues.
Labels:
Lion City lit,
News,
Singapore
Friday, 23 February 2018
Student bookshelf by Aurelia Paul: Who Ate Up All the Shinga?
Aurelia Paul is a senior year student at Boston University, studying comparative literature and Chinese. In her fortnightly column, Student bookshelf, she shares responses to texts she's reading in her classes.
Here she discusses Who Ate Up All the Shinga? An Autobiographical Novel by Park Wan-suh.
Park Wan-suh is a best-selling and award-winning writer from Korea. She was born in 1931 in a small village near Kaesong, a protected hamlet of no more than twenty families. Park was raised believing that "no matter how many hills and brooks you crossed, the whole world was Korea and everyone in it was Korean." But then came the Japanese Occupation, complicating her day-to-day life, and her beliefs.
Who Ate Up All the Shinga? Examines the ways in which collaboration, assimilation, and resistance intertwined within the Korean social fabric before, during, and after the Japanese Occupation. The novel is notable for Park's portrait of her mother, a sharp and resourceful widow who both resisted and conformed to stricture, becoming an enigmatic role model for her struggling daughter.
So, over to Aurelia...
Here she discusses Who Ate Up All the Shinga? An Autobiographical Novel by Park Wan-suh.
Park Wan-suh is a best-selling and award-winning writer from Korea. She was born in 1931 in a small village near Kaesong, a protected hamlet of no more than twenty families. Park was raised believing that "no matter how many hills and brooks you crossed, the whole world was Korea and everyone in it was Korean." But then came the Japanese Occupation, complicating her day-to-day life, and her beliefs.
Who Ate Up All the Shinga? Examines the ways in which collaboration, assimilation, and resistance intertwined within the Korean social fabric before, during, and after the Japanese Occupation. The novel is notable for Park's portrait of her mother, a sharp and resourceful widow who both resisted and conformed to stricture, becoming an enigmatic role model for her struggling daughter.
So, over to Aurelia...
Calling all writers...
Some writers work best in their office or home while others benefit from the stimulation and fresh perspective that a foreign sky affords. International authors Robin Hemley, based in Singapore, and Xu Xi, based in Hong Kong, are two of the latter types and have taught writing workshops and retreats around the world for many years. They founded Authors at Large (AAL) to cater to and benefit like-minded writers, both established and emerging, who love travel, time and space to write, and the community and fellowship of other writers at the end of a productive writing day.
Imagine a week on a private soi by the beach in Thailand, or at a remote arts centre in Orkney, Scotland, or a weekend in the heart of Berlin. These are the locations AAL has just announced for its writing retreats in 2018.
Imagine a week on a private soi by the beach in Thailand, or at a remote arts centre in Orkney, Scotland, or a weekend in the heart of Berlin. These are the locations AAL has just announced for its writing retreats in 2018.
Labels:
News
Friday, 16 February 2018
And the winner is...
Happy Year of the Dog. We have been running a poll to find Asian Books Blog's Book of the Lunar Year in the Year of the Rooster just closed. In third place, The Green Phoenix, by Alice Poon. In second place, Snow Over Surabaya, by Nigel Barley. And the winner is The Kingdom of Women, by Choo Waihong.
Choo Waihong's "prize" is to be invited to write a guest post highlighting the work of any secular organisation promoting literacy within Asia. Keep an eye out...
Choo Waihong's "prize" is to be invited to write a guest post highlighting the work of any secular organisation promoting literacy within Asia. Keep an eye out...
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