The Flower Boat Girl, guest post from Larry Feign

Larry Feign is an award-winning writer and artist who lives walking distance from notorious pirate haunts on an island near Hong Kong. He is the author of several books about China, as well as a children’s book series under a pen name. He is married with two grown children.

His latest novel, The Flower Boat Girl, set along the South China coast, in the early nineteenth century, is based on a true story. Sold as a child to a floating brothel, 26-year-old Yang has finally bought her freedom, only to be kidnapped by a brutal pirate gang and forced to marry their leader. Dragged through stormy seas and lawless bandit havens, Yang becomes involved in the dark business of piracy. In order to survive, she carves out a role despite the resistance of powerful pirate leaders and Cheung Po Tsai, her husband's flamboyant male concubine.  As she is caught between bitter rivals fighting for mastery over the pirates, and for her heart, Yang faces a choice between two things she never dreamed might be hers: power or love.

Here Larry discusses how he went in pursuit of a pirate queen…

Serve the People! by Yan Lianke - A Novel of the Chinese Cultural Revolution

The Cultural Revolution has been a taboo subject in China, but confusing and forgotten to Westerners. The political upheavals instigated by Mao Zedong between 1966-1976 were baffling to those who observed and participated. Mao ostensibly sought to create a new, permanent revolutionary China, doing away with old ideas, old customs, and old culture, but his main aim was to purge all political rivals and enshrine himself as a godlike figure, which somewhat continues to this day. It is during this tumultuous era, that the novel Serve the People! by Yan Lianke takes place.

Indie Spotlight: Why I Write – Multiple-Award-Winning International Mysteries and Crime Thrillers Author Tikiri Herath Uses Storytelling to Empower Women Around the World

Indie Spotlight is a column by WWII historical fiction author Alexa Kang. The column regularly features hot new releases and noteworthy indie-published books, and popular authors who have found success in the new creative world of independent publishing. 

Today we bring to you Tikiri Herath, author of the six-book, multiple-award winning Red Heeled Rebels Thriller series. In her blog post below, she tells us how she uses fiction combined with personal insights gained through her heritage and experiences traveling and living abroad, to empower and give a voice to the most vulnerable and exploited women in the world. When I learned about her goals behind her books, I’m in awe of what she has done.

Red Heeled Rebels features a cast of diverse female characters in their twenties, hailing from four continents. Red Heeled Rebelsis the story of how the characters overcome their dark pasts, form a multinational found family and transform themselves into furious, feisty fighters who hunt down those who stole their humanity, and make them pay. You can find out more about the Red Heeled Rebels thrillers here: www.RedHeeledRebels.com.

Tikiri’s new Merciless Murder Mystery series follow up on the same characters from Red Heeled Rebels in their thirties, as they travel from town to town in America, solving cold cases and standing up to local authorities, solving the puzzles before anyone else can. The Merciless Murder Mystery series is here: www.TikiriHerath.com/Mysteries

Now, over to Tikiri . . .  

Raelee Chapman chats with Audrey Chin, author of The Ash House.

 

Background: 

At the 2014 Singapore Writers Festival, I met Singaporean author Audrey Chin by the coffee cart. This super-friendly petite lady with short spiky hair was raving about the muffins. We got talking and introduced ourselves. I was covering some festival events for this blog. It was awkward and embarrassing to admit I hadn't heard of Audrey or known that her novel 'As the Heart Bones Break' was nominated for the Singapore Literature Prize. Fast forward seven years, Audrey and I are good friends and co-run a book club together that focuses on reading Asian literature. I am thrilled to invite her back to Asian Books Blog to discuss her new Asian gothic novel 'The Ash House'. 

Poems from a pandemic: Starting notes on a new (sub)genre?

 

My trusty webcam: indispensable for Zoom poetry workshops!

Earlier this year, I invited four poets and teachers – Inez Tan and Ann Ang, and Jennifer Wong and Esther Vincent Xueming – to each tell us about an Asian poem they love teaching. As is so often the case with such conversations, I was led to reflect too on some of the poems I’ve enjoyed discussing with students, in recent workshops for younger poets, migrant writers, or communities like ‘Writing the City’, curated by Jon Gresham. In particular, I’ve been thinking about poems that speak to what has surely been the biggest elephant in the (class)room for the past many months: COVID-19.

Talking About Rakugo: The Japanese Art of Storytelling, guest post from Kristine Ohkubo

Los Angeles-based indie-author Kristine Ohkubo uses her work to explore topics related to Japan and Japanese culture. While growing up in Chicago, she developed a deep love and appreciation for Japanese culture, people, and history. Her extensive travels in Japan have enabled her to gain insight into this fascinating country, which she shares through her books.

Kristine’s first book, a travel guide, was published in 2016. She has subsequently published four other books. Her new book, Talking About Rakugo: The Japanese Art of Storytelling  introduces readers to rakugo, Japan’s 400-year-old art of storytelling. It draws on biographical information, anecdotes, interviews, and rakugo scripts to explain why this traditional art form has endured for centuries. 

Talking About Rakugo: The Japanese Art of Storytelling was written in collaboration with Tokyo-based English rakugo storyteller, Kanariya Eiraku. Eiraku, who began performing in 2007, is a former member of Tatekawa-ryu, the rakugo school founded by the late great rakugo master, Tatekawa Danshi. Eiraku has translated and performed over sixty classical and contemporary rakugo stories. Since 2007, he has performed in front of enthusiastic audiences in the United States, the United Kingdom, Denmark, Australia, New Zealand, Georgia, Kazakhstan, and Laos. The founder of both the Canary English Rakugo Company and the English Rakugo Association, Eiraku teaches English rakugo in Tokyo to a wide range of students. He also offers online English rakugo classes here.

So, over to Kristine...

On Naming Malaysian Chinese Characters guest post by Elizabeth Wong

Elizabeth Wong is Malaysian and grew up in Kuala Lumpur. She currently works as a writer, author and geologist in London. Liz is interested in stories of Malaysia and also of this large world we live in — deserts, seas, rocks. She has degrees in Geology and English from Yale University and Imperial College London. Her debut novel, We Could Not See The Stars, has just been published by John Murray. 

Han’s uneventful life in a sleepy fishing village is disturbed when a strange man arrives, asking questions about his mother. Han doesn’t trust Mr Ng, but his cousin Chong Meng is impressed with the stories of his travels and tales of a golden tower. Together they steal Han's only memento of his mother, before disappearing. On a faraway island, across the great Peninsula and across the seas, the forest of Suriyang is cursed. Wander in and you will return without your memories. Professor Toh has been researching the forest of Suriyang for years. He believes that the forest hides something that does not wish to be discovered. An ancient civilization. A mysterious golden tower. Chong Meng is tangled up in the professor’s plans to discover the truth about Suriyang. Han travels the breadth of the Peninsula to find his cousin before it is too late. How much will Han sacrifice to discover who he really is? 

Here, Liz discusses the complexities of naming Malaysian Chinese characters.