The Japanese Home Front 1937 - 1945 by Philipp Jowett & Adam Hook

As I’ve stated many times, there’s long been a blind spot about the Asian Theater of World War II. You can stack the books written about Nazi Germany and Imperial Japan side by side, the former would dwarf the latter. When books do appear about Japan during World War II, they are usually about the front in the Pacific, or, less often, in the Chinese and Burma theaters. A notable exception is Japan At War: An Oral History. However, Osprey Publishing has recently released The Japanese Home Front 1937 – 1945, which aims to help fill that gap.

On Being Blue: In conversation with the editors of 'Atelier of Healing'

Editor's note: Given the upheavals of the past two years, a theme that has surfaced repeatedly at discussions and readings of poetry is the power of the form to comfort and restore, especially when solutions or explanations seem out of reach. At an event organised by the Migrant Writers of Singapore last month, for instance, many poets responded directly to the themes of 'anguish' and 'loss', reliving and sharing catharsis through poetic encounters. 

For this month's poetry column, I spoke to the editors of a recently-launched online anthology on trauma and recovery, Desmond Kon and Eric Valles (who both previously featured on the blog here and here). Published by Squircle Line Press, Atelier of Healing is a free e-anthology, and may be accessed at this link. 

The Flower Boat Girl, guest post from Larry Feign

Larry Feign is an award-winning writer and artist who lives walking distance from notorious pirate haunts on an island near Hong Kong. He is the author of several books about China, as well as a children’s book series under a pen name. He is married with two grown children.

His latest novel, The Flower Boat Girl, set along the South China coast, in the early nineteenth century, is based on a true story. Sold as a child to a floating brothel, 26-year-old Yang has finally bought her freedom, only to be kidnapped by a brutal pirate gang and forced to marry their leader. Dragged through stormy seas and lawless bandit havens, Yang becomes involved in the dark business of piracy. In order to survive, she carves out a role despite the resistance of powerful pirate leaders and Cheung Po Tsai, her husband's flamboyant male concubine.  As she is caught between bitter rivals fighting for mastery over the pirates, and for her heart, Yang faces a choice between two things she never dreamed might be hers: power or love.

Here Larry discusses how he went in pursuit of a pirate queen…

Serve the People! by Yan Lianke - A Novel of the Chinese Cultural Revolution

The Cultural Revolution has been a taboo subject in China, but confusing and forgotten to Westerners. The political upheavals instigated by Mao Zedong between 1966-1976 were baffling to those who observed and participated. Mao ostensibly sought to create a new, permanent revolutionary China, doing away with old ideas, old customs, and old culture, but his main aim was to purge all political rivals and enshrine himself as a godlike figure, which somewhat continues to this day. It is during this tumultuous era, that the novel Serve the People! by Yan Lianke takes place.

Indie Spotlight: Why I Write – Multiple-Award-Winning International Mysteries and Crime Thrillers Author Tikiri Herath Uses Storytelling to Empower Women Around the World

Indie Spotlight is a column by WWII historical fiction author Alexa Kang. The column regularly features hot new releases and noteworthy indie-published books, and popular authors who have found success in the new creative world of independent publishing. 

Today we bring to you Tikiri Herath, author of the six-book, multiple-award winning Red Heeled Rebels Thriller series. In her blog post below, she tells us how she uses fiction combined with personal insights gained through her heritage and experiences traveling and living abroad, to empower and give a voice to the most vulnerable and exploited women in the world. When I learned about her goals behind her books, I’m in awe of what she has done.

Red Heeled Rebels features a cast of diverse female characters in their twenties, hailing from four continents. Red Heeled Rebelsis the story of how the characters overcome their dark pasts, form a multinational found family and transform themselves into furious, feisty fighters who hunt down those who stole their humanity, and make them pay. You can find out more about the Red Heeled Rebels thrillers here: www.RedHeeledRebels.com.

Tikiri’s new Merciless Murder Mystery series follow up on the same characters from Red Heeled Rebels in their thirties, as they travel from town to town in America, solving cold cases and standing up to local authorities, solving the puzzles before anyone else can. The Merciless Murder Mystery series is here: www.TikiriHerath.com/Mysteries

Now, over to Tikiri . . .  

Raelee Chapman chats with Audrey Chin, author of The Ash House.

 

Background: 

At the 2014 Singapore Writers Festival, I met Singaporean author Audrey Chin by the coffee cart. This super-friendly petite lady with short spiky hair was raving about the muffins. We got talking and introduced ourselves. I was covering some festival events for this blog. It was awkward and embarrassing to admit I hadn't heard of Audrey or known that her novel 'As the Heart Bones Break' was nominated for the Singapore Literature Prize. Fast forward seven years, Audrey and I are good friends and co-run a book club together that focuses on reading Asian literature. I am thrilled to invite her back to Asian Books Blog to discuss her new Asian gothic novel 'The Ash House'. 

Poems from a pandemic: Starting notes on a new (sub)genre?

 

My trusty webcam: indispensable for Zoom poetry workshops!

Earlier this year, I invited four poets and teachers – Inez Tan and Ann Ang, and Jennifer Wong and Esther Vincent Xueming – to each tell us about an Asian poem they love teaching. As is so often the case with such conversations, I was led to reflect too on some of the poems I’ve enjoyed discussing with students, in recent workshops for younger poets, migrant writers, or communities like ‘Writing the City’, curated by Jon Gresham. In particular, I’ve been thinking about poems that speak to what has surely been the biggest elephant in the (class)room for the past many months: COVID-19.