Journey to the West / guest post by Melanie Ho

Journey to the West: He Hui, a Chinese soprano in the world of Italian opera, by Hong Kong-based author and journalist Melanie Ho, is the first biography of China's first prima donna - arguably the most successful Western opera singer to come out of China. Soprano He Hui has made some of the biggest roles in Italian opera her own, including the title role in Madam Butterfly. Her story is one of East meeting West, and of East and West living alongside each other. It begins in her hometown of Xi’an, China, and moves on to Verona, her adopted Italian home. Along the way to stardom He Hui overcomes challenges, and rejection.

Melanie Ho here offers a brief overview of He Hui's journey.

StoryDrive Asia 2017

StoryDrive Asia is a conference dedicated to exploring new forms of collaboration, and developing new business models, across media and publishing boundaries in Asia. It is organised by the Frankfurt Book Fair, in collaboration with regional partners, and it is attended by professionals working in the print, audio, film, and TV sectors.

Backlist books: Noli Me Tangere by José Rizal

Backlist books is a column by Lucy Day Werts that focuses on enduring, important works from or about Asia.

This post is about Noli Me Tangere (aka The Social Cancer), an idealistic novel written to expose the injustices suffered by Filipinos at the hands of the theoretically poor, chaste and obedient Spanish friars during the colonial period.

Written in Spanish, published in Berlin in 1887 and banned in the Philippines, it nevertheless reached its target audience. Although the author seems to have preferred reform to armed revolution, violent radicals made him their figurehead, and at the age of 35 he was martyred for the Filipino nationalist cause.

See below to find out what you need to know to decide whether you should read Noli Me Tangere, or what you should know about it even if you never do!

Final SWF Roundup: Imagining Asia, The Absurdity in Everyday Life; Hope and Resistance in the Age of Dystopia. Reflections by Elaine Chiew

Imagining Asia

Panel on Imagining Asia, featuring (L to R) Tash Aw, Madeleine Thien, Boey Kim Cheng and
University of London Professor of Humanities Roger Kain, courtesy of Elaine Chiew

Rabindranath Tagore had a construct for Asia; he called it “a continental mind of Asia.” Asia thus was conceived as more than geographical landmass and the surrounding oceans, but even mapping it geographically can prove tricky as its Western borders are conjoined with Europe.  Asia as a continent also encompasses a multitude of languages, cultures, ethnicities, religious practices, economic pursuits and livelihoods. Keep in mind also the strategic configuration of powers and militarism which accompanied the formation of ASEAN, APEC and various other regional affiliations, as well that the turn-of-the-century ideological conception of Asia as envisioned by Okakura Kakuzõ in Ideals of the East was as a foil of the East against the encroachments of the West, already forecasting Japan’s military ambitions at that time.  Thus, returning to the question of “imagining Asia” and specifically how Asian writers like Tash Aw, Madeleine Thien and Boey Kim Cheng imagine Asia, already implicate deeper framing issues of how long we will remain locked within this semantical conception of Asia as a singular, cohesive entity, Asians who are immigrants to the West as writers with fragmented identities, and all of this understood with reference to the West. 

SWF WRITER FOCUS: Elaine Chiew interviews Singapore-based Filipino writer Victor Fernando Ocampo

For every writer, once in a rare while, a book comes along and really shakes you up, where (instead of that height/ceiling metaphor) I’d like to say instead, the floor drops on which you thought the legs of fiction stood.   Victor Fernando Ocampo’s The Infinite Library and Other Stories did that for me.  The ideas that power this collection are not just incredibly imaginative, they also weave a hybrid crossing through magical realism, allegory and science fiction, that ‘synchronicity’ Ocampo mentions in one of his stories.  Rendered in prose that bears a unique voice, and also dark subtle humour in surprising turns of phrases, this collection is an invitation to a labyrinth for thought.

First an introduction to Victor:

Victor Fernando R. Ocampo is a Singapore-based Filipino writer. He is the author of The Infinite Library and Other Stories (Math Paper Press, 2017) and Here be Dragons (Canvas Press, 2015), which won the Romeo Forbes Children’s Story Award in 2012.  

Singapore Writers Festival Day 3. Aram and World Conflicts/Sci-Fi and the Fate of Humanity by Elaine Chiew

Aram in the Age of Cultural and Cross-Border Conflicts, courtesy Elaine Chiew

The panel entitled Aram in the Age of Cultural and Cross-Border Conflicts, moderated by TV presenter Greta Georges, opened to a room so packed, it was standing three-deep in the back.  But the panel appeared to have gotten mired in the thicket of translation of the meaning of 'Aram'.  Using the English translation of Aram as 'the good life', the panelists Héctor Abad, Koh Buck Song, and Suki Kim, whose credentials range from human rights memoirist (Abad), literary editor, non-fiction writer of 30 books and poet (Koh) to undercover investigative journalism (Kim) tackled it from three countries’ perspectives – Colombia, Singapore and North Korea, respectively. 

Singapore Writers Festival: Day 2 Highlights by Elaine Chiew

Between Brexit and the Deep Blue Sea Panel, courtesy Elaine Chiew

Okay, Brexit.  Day Two. This time from the Irish perspective, entitled Between Brexit and the Deep Blue Sea: The Irish Perspective on a Divided Europe.  The panel of Cat Brogan, Claire Keegan and Paul McVeigh, as moderated by avuncular host, Neil Murphy, raised many interesting points to consider.  Brogan and McVeigh are from Northern Ireland, whereas Keegan is from the Republic of Ireland and Brexit impacts them differently.